LATEST ADDITIONS

I hope you can tell how grateful I am to be writing a column every month. A column makes me feel like a reporter or raconteur, both of which I aspire to become. In a column, I can be more me. I can evolve, think out loud, and speculate, right in front of you. I can pass on crazy stories from a lifetime of audio. When I write about products in a Dream, I try not to form it as a review, per se, but rather as an informal chronicle of discovery.

When I was growing up, calling Dad to dinner required a trip down carpeted stairs to the basement, an audiophile man cave in a time before the term had been invented. I'd open the door from the kitchen, and a great wall of sound would emerge—and nearly blow me back before I descended the stairs.

This unique device is a solution to a problem that previously couldn't be solved.

There are, of course, any number of little boxes that can extract audio from the HDMI video bitstream; they began to appear on the market to fill a need for a way to route audio from a player's HDMI output In the recent past, you could buy a good-quality—even audiophile-grade—universal player and listen to SACDs via its good-sounding analog outputs. But good-sounding universal players are becoming scarce.

My writing desk looks out over a large garden with chickens, bees, and feral cats. My chair sits only six feet from loudspeakers, playing softly on my left. Between the speakers sits whatever painting I am working on. That painting hangs no more than 10 feet from the oscilloscope and drill press in my kitchen. Best of all, my desk is only six feet from squadrons of ravenous sparrows attacking the suet cage on the fence outside my window.

Back in the Dark Ages, loudspeaker design was commonly based on semi-enlightened experimentation, with new enclosure configurations appearing almost monthly in professional and consumer journals. One of those, published in Wireless World in October of 1965, was A.R. Bailey's transmission line, a long, selectively resistive, folded-and-sometimes-tapered tube that loaded the back of the (woofer) driver for low-bass reinforcement.

The High End 2020 show, scheduled to take place in Munich in mid-May, was canceled due to concerns about the coronavirus. The California Audio Show, which usually takes place in late July, is also off, although the reason for its cancelation isn't clear. And as we've just learned, AXPONA, the biggest show in the Western Hemisphere, has been postponed from its original dates (around the time this issue hits mailboxes and newsstands) to the second weekend of August.

The reason, of course, is concern about the spread of COVID-19.

Frank Zappa: The Hot Rats Sessions
Zappa Records/UMe ZR20032 (6 CDs). 1969–2019. Frank Zappa, prod.; Joe Travers, Craig Parker Adams, Jack Hunt, others, engs.
Performance *****
Sonics ****

Frank Zappa's first real solo album (he conducted but did not play on Lumpy Gravy) is probably his greatest recording and perhaps his most uncharacteristic in that his singing voice is nowhere to be heard. The one vocal, "Willie the Pimp," is sung by Captain Beefheart, whose Zappa-produced pinnacle Trout Mask Replica was released the same year (1969).