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The two biggest sonic jolts I've experienced involving phono preamps were from two very different ones: the Petr Mares's Connoisseur 2.0 and Boulder's 2008, which was reviewed in the July 2002 Stereophile. The first was hand-built, single-ended, housed in a wooden case, limited to 100 units, and, when I got to hear it in the mid-1990s, cost around $6000, or about $10,000 in today's dollars. The other was a feature-laden, double-chassis monument to flexibility and surface-mount high technology. It featured beautifully finished, flush-mounted mirrored buttons your fingers just wanted to press.

This is the fifth year Stereophile has named a select few components as "Products of the Year." By doing so, we intend to give recognition to those components that have proved capable of giving musical pleasure beyond the formal review period.

Ah, yes, headphones again. The market for super–high-end headphones must be small, but manufacturers nevertheless keep introducing new designs. At least two manufacturers—Stax and Sennheiser—seem to have carved out a big chunk of this market for themselves, and are currently slugging it out with their respective takes on the best that electrostatic headphones have to offer.

Most audiophiles are aware of the modification and add-on aftermarket. A few have learned the hard way that modifier competence varies from primitive magic and sales hype to real engineering skill. Some modifiers are serious audiophiles who are also good technicians; others are scam artists whose only goal is to make a quick buck on the latest fad. If you have only a rudimentary understanding of electronics, you may not be able to make a distinction. Even the most jaded and battle-hardened among us can still be hooked and reeled in by a slick sales presentation.

Capital Audiofest has canceled its 2020 show, previously scheduled for October 30 through November 1, and announced dates for 2021.

Today is March 22, 2020. Outside my door, the plague is gaining intensity. People are wearing masks and rubber gloves. But outside the window by my desk, there is a Callery pear tree, and every day its blossoms are becoming more intensely white. Each day its brightness (measured in units of luminous flux) increases noticeably. The optical radiance of its zillion-petal whiteness illuminates the whole garden.

There are some standing jokes in the audio industry about the qualities a piece of equipment must have in order to be truly "high-end." One definition is that it must be unavailable, unreliable, and dangerous. Another is that it will sound great, break, and its manufacturer go out of business. By meeting at least half of these variables, the Spatial Coherence TVA-1 preamplifier qualifies as a classic audiophile product.