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Music in the Round #72

I spent most of my time at the January 2015 Consumer Electronics Show exploring amps and preamps for Stereophile's on-line coverage of the show, but there were a few items of interest to fans of multichannel. There were demonstrations of Dolby Atmos, Auro3D, and dts:X, but these mostly focused on movies—save for Auro3D's thrilling demo of 2L's Magnificat—an album of music by Arnesin, Gjeilo, and Kernis, with Anita Brevik conducting solo singers, chorus, and the Trondheim Soloists and recorded in a cathedral (Pure Audio Blu-ray, 2L-106-SABD). The ambience was more enveloping with Auro3D's added height dimension, compared to what I hear from 5.1 systems, but I'm not sure whether this will be enough to encourage music listeners to make the necessary investment.
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AXPONA's Day 2 Kept on Going

Using Vivid loudspeakers, Richard Rogers of Shunyata and Bruce Jacobs of Stillpoints conducted a very convincing demo in which they began with stock power cables and no room treatment. First, they switched from stock power cables to Shunyata's Venom digital power cable ($395) and Venom High Current power cable ($295). Next, they added Stillpoints Ultra 6 equipment supports under equipment where there had been no supports before.

Finally, they added at least six Stillpoints Aperture acoustic panels to the sidewalls and horribly reflective glass windows behind the speakers. Each change elicited more depth, air, believable timbres, midrange, bass, vibrancy and substantiality to the sound...

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Day 1 Ends and Day 2 Starts

What, Jason, you're still on the 5th floor? How are you ever going to get all the way down to sub-Lobby Level, let alone be able to make some "Best of Show" calls, when you're only doing 18 rooms per day? Get a move on, Serinus! Such thoughts crossed my mind as Day One was drawing to a close, and I still had a few rooms left on the second of AXPONA's seven, not six, floors. But what is there to do but simply go with the flow, even if there's little flow left to go with at day's end?
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Unraveling the Mysteries of the Westin O'Hare's Floor 5

People were going gaga over the Gibson Les Paul Reference Monitors, which debuted in the Gibson tent at CES before debuting at NAM and Frankfurt. In their US Consumer audio show premier, which celebrates the Les Paul Centenary, the GSLP 4" ($1198/pair), GSLP 6" ($1598/pair), and equally poetically-titled GSLP 8" ($1998/pair) displayed their pedigree as reference monitors suited for both home and studio. I found the balance a bit bright and sharp for my taste, but there was much to admire in the sound...
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AXPONA Opens Strong

Yes, I too noticed the signs, liberally distributed around the baggage pick-up area at O'Hare, that welcomed visitors to four shows other than AXPONA. "AXPONA 2015 NOT WELCOME IN CHICAGO!" quipped Michael Fremer in his first show blog for AnalogPlanet.com. Judging from the comments so far, it's clear that some readers forget that behind Mikey's New York outrage lies a seasoned stand-up comedian...
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