Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

Garrard 301 & Thorens TD 124 turntables

An editorial note: We recently republished Stereophile founder J. Gordon Holt's 1966 review of the Swiss Thorens TD-150AB turntable. This was the first high-end 'table I bought after leaving university and earning a wage. But as good as I felt the TD-150AB to be, with its belt drive and sprung suspension, it was sonically overshadowed both by Thorens's TD 124 turntable and by the English Garrard 301 turntable.
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Audio & Design M9BA tonearm

Back in the days of pre-stereo high fidelity, when a 6-gram phono pickup was considered to be "featherweight," the best universal-type tonearm we knew of was a bulky, very professional-looking device made by Gray Labs and designated the Model 108. One unusual thing about it was that, instead of using sleeve or cone-face bearings, it had a single up-ended needle—a so-called unipivot—for both the vertical and lateral modes of motion. The other unusual thing about it was that the pivot system was viscous-damped, and it was this, we suspect, that was largely responsible for the arm's ability to make any pickup sound somehow sweeter and cleaner than it did in any other arm.
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Dancing on the Edge: Keith Jarrett on Music & Art

Years before I moved to Santa Fe, where I eventually became Stereophile's copyeditor, assistant editor, and first music editor, I lived in Boston, Massachusetts. There, I'd spent a year as the in-house typesetter, copyeditor, and book-review editor of East West Journal, an eclectic monthly magazine devoted to nutrition, spirituality, cooking, gardening, conservation, and other subjects. Two years after I'd left EWJ, managing editor Meg Seaker called to ask if I wanted to interview Keith Jarrett for the magazine.
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A Magic Flute Delights and Surprises

A divine amalgam of joy and solemnity and one of Mozart’s most spiritually elevated creations, Die Zauberflöte (The Magic Flute) brings each generation's finest conductors and singers to the microphone. Now, Metropolitan Opera conductor Yannick Nézet-Séguin and tenor-cum-baritone Rolando Villazón and the Chamber Orchestra of Europe add to their series of Mozart recordings for Deutsche Grammophon with a star-studded version that includes some of the best young and veteran artists of our time.
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Music in the Round #99: Revel & exaSound

There is necessity as well as comfort in having a long-term reference recordings and, system. The necessity derives from the familiarity with the reference that allows for comparisons and contrasts with the equipment being tested. The comfort that comes from the familiarity lets me relax and enjoy recreational music, relieved from the need to focus my attention intently on the sound. I do relish getting my hands on lots of interesting audio equipment and getting to play it in my own home, but it's like a two-month one-night stand: The new stuff usually goes back even if I am impressed. I don't change my audio equipment often.
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Mytek Brooklyn Bridge streaming DAC/network server

A DAC/preamp/headphone amp from Class A of Stereophile's list of Recommended Components, updated with streaming and network-server capabilities—and it still sells for less than $3000? If you believe that, I have a bridge I'd like to sell you. (Har, har!)

Most Americans have heard that line before, but many may not know the story behind it—I didn't. George C. Parker, a real American person born in 1860, is famous for perpetrating audacious frauds, specifically sales of property he did not own and could not possibly have owned. He is reported to have sold the Statue of Liberty, Grant's Tomb, the original Madison Square Garden, the Metropolitan Museum of Art, and—most famously—the Brooklyn Bridge that last one twice a week for several years, at prices ranging from $75 to $5000. Or so some say.

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Never Stop: a Musical Interview with Jon Anderson

Vocalist Jon Anderson has been at the center of the fabled rock band Yes since its founding in 1968 and has collaborated with other notable artists including Vangelis, Mike Oldfield, Jean-Luc Ponty, and the Contemporary Youth Orchestra. A tireless and prolific musician, composer, and multi-instrumentalist, he has also released more than a dozen solo albums.

Almost exactly 50 years after the July 1969 release of the first Yes album, Anderson visited my house for an afternoon of talk and listening to music. We listened to some old Yes tracks, some favorites from other artists, and several from his most recent album, 1000 Hands: Chapter One, which was 30 years in the making.

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