Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Alta Audio Alyssa loudspeaker

It was a "Wow!" audio moment I'll never forget. It happened just after Ladies Who Lunch, our regular Friday afternoon lunch-n-chat for audio poobahs at the Grand Sichuan restaurant in Chelsea. It was dark at 4 o'clock, and the first snow of winter looked enchanting under the 24th Street streetlamps. Audiophiliac Steve Guttenberg and I were accompanying our turntable setter–upper friend Michael Trei to Bob Visintainer's Rhapsody Music and Cinema, where Trei was scheduled to install a Lyra Etna SL cartridge on a TechDAS Air Force III turntable. I tagged along to chatter with Bob and listen with Steve to Alta Audio's tall, open-baffle Titanium Hestia loudspeakers. Rumor had it that this was a happening system.
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Marten Oscar Duo loudspeaker

At High End Mässan 2015—Stockholm, Sweden's big audio show—Marten planned to show off its finest loudspeaker to the hometown crowd. Marten took the hotel's largest demo room, located at the prime location at the top of the stairs, at the entry point to the 2nd floor exhibition space. There, Marten set up a super system (see photo below) featuring the Coltrane Supreme 2 loudspeaker, a towering monolith probably intended more for Asian consumption than for Swedes to bring home to their modest digs. In preshow demos, the Coltranes filled the large room with impressively transparent and effortless sound that was sure to impress show attendees.
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Recording of November 2020: What's Next Vivaldi?

What's Next Vivaldi?
Antonio Vivaldi and others
Patricia Kopatchinskaja, violin; Il Giardino Armonico, Giovanni Antonini, cond. and flute.
Alpha 624 (Auditioned as 24/192 WAV). 2020. Jean-Daniel Noir, prod., edit., master.
Performance *****
Sonics ****

Forget almost everything you know about Vivaldi performance practice, authentic and otherwise, and shush all "shoulds." Banish from your mind any thoughts that all Vivaldi sounds the same. Prepare your ears to hear Vivaldi as you've never heard him before.

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Musical Fidelity M8xi integrated amplifier

Once upon a time, reviews of Musical Fidelity components frequently filled pages in Stereophile. But in all my years covering audio shows, I can't recall blogging about any of the company's products, not even once. So, when my editor offered a review of the new M8xi ($6490), a hefty 101lb dual-mono integrated amplifier that includes a DAC, I seized the opportunity to fill a black hole in my consciousness. (Kindly cast aside thoughts that it would take more than a hunk of audio equipment to fill the black hole in my brain.) As long as I didn't break my back lifting the M8xi, solo, to the top shelf of my rack—for this I humbly beg assistance from spouses, neighbors, and friends—new vistas were in store.
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Maria Schneider: Is There Anybody Out There?

"The data lords are gathering data and giving it to organizations that then manipulate us with the things they know about us, things that we don't even know about ourselves," says five-time Grammy Award–winning composer, conductor, producer, and band leader Maria Schneider. "They give our data to any company that'll pay for it to manipulate you, specifically targeting your vulnerabilities. It takes away freedom of thought, a true discourse where people are thinking for themselves. Count me out."
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