LATEST ADDITIONS

Time and again at AXPONA and Munich, I’ve seemed to play tag with Robert Harley and Tom Martin of TAS. In the Tidal room, my appointment followed theirs; at the Ideon press conference and Peter McGrath's CH Precision / Wilson demos, Tom and I sat close to each other. Clearly, we’re drawn to the same quality gear.

Zeiler Audio’s Ralf Zeiler took a stellar rig to AXPONA. I was very curious to hear his room at High End Munich.

Gryphon Audio supercharged HIGH END Munich 2024, Atrium 4.1, Room E120, presenting the world premieres of three products: Gryphon’s Apollo Supreme Reference Turntable with Apollo 12.1" DLC Tonearm, and new Black Diamond DLC Supreme Reference MC Cartridge with DLC ("Diamond-Like Carbon) coating ($149,800 total including cartridge).

Big components need a big room and a big man to explain it. Nick Döhmann talked turkey and then some regarding his new Döhmann Helix One Mk3 turntable ($70,000) with a new 10.5” Supatrac Nighthawk tonearm (£12,500), and Air Tight Opus 1 cartridge.

Over a long career, thinker and audio designer Barry Thornton has carved his own paths and formed his own opinions, broad views about how the universe works and how one thing connects to another. He applies scientific principles broadly, too: From action comes reaction, though it may not always be predictable. "Do something, and everything else starts to occur," he said of his endeavors. Longtime readers and seasoned audiophiles will recognize Quintessence Audio Group, a maker of hi-fi electronics in the 1970s and '80s. Thornton founded the company and served as its main designer. He has worked with companies including SAE (where he became Chief Engineer), ESS, Parasound, and Monster Cable. His journey eventually led him to Austin, Texas, where he recently founded Austin AudioWorks.

Jeff Joseph pops up in all the fashionable places, and when he does—whether it's at Capital Audiofest, AXPONA, or here at High End Munich—his sound is always stellar. Today’s lineup was consistent with the pattern

One of my coolest radio-related experiences happened just a few months ago, when, churning through FM stations in my car, I encountered a country-inflected male voice singing "Fast Car," the Tracy Chapman song. Rolling Stone dubbed "Fast Car" the 168th best song of all time. It has audiophile cred because its simple sonics (predominantly voice and acoustic guitar) and good engineering made it an important test track, used, eg, by Harman for listening tests and by others for assessing compression artifacts in MP3s.