Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Recording of January 2022: Sofia Gubaidulina: Orchestral Works

Sofia Gubaidulina: Dialog: Ich und Du; The Wrath of God; The Light of the End
Vadim Repin, violin; Gewandhausorchester Leipzig, Andris Nelsons, cond.
Deutsche Grammophon 4861457 (auditioned as 24/96 WAV). 2021. Everett Porter, Bernhard Güttler, prods.; Porter, Sebastian Nattkemper, Benedikt Schröder, engs.
Performance *****
Sonics *****

At 90 years of age, Sofia Gubaidulina has honed her musical language amidst conflict. Since 2003, the profoundly religious, visionary, and visceral Russian composer has written three huge, prescient works that depict in musical terms a standoff between God and humankind. All receive their world premiere "live" recordings in this sensational-sounding, system-demanding outpouring from Andris Nelsons and the venerable orchestra that Felix Mendelssohn once led, the Gewandhausorchester Leipzig.

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Revinylization #24: Blue Note Classic Vinyl: Herbie Hancock's Maiden Voyage & Eric Dolphy's Out to Lunch!

In the mid-'60s, modern jazz pivoted. Charlie Parker, the previous era's key revolutionary, had been dead for a decade. "Hard bop," the soul-and-back-beat variant of Parker's bebop, was running out of steam. The Beatles were rocking the world, and jazz would never recover as a branch of "popular music." In response or indifference to these tough transitions, jazz musicians set sail on several experimental paths. In those first few years, the most adventurous voyages were mapped and carved out at Blue Note Records.
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Technics SU-R1000 integrated amplifier

Technics, an arm of the Japanese giant Panasonic Corporation, has long been a major player in the hi-fi world, even if, in some recent decades, it stayed below the radar.

In the 1970s, analog-centric audiophiles particularly praised the Technics SP-10, the world's first direct drive turntable. Created by Matsushita engineer Shuichi Obata in 1969, the SP-10 and its successors became the standard in vinyl playback for American radio stations during that heyday of broadcast radio.

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