John Atkinson

John Atkinson  |  Apr 15, 2019  |  1 comments
MoFi Distribution's Jonathan Derda was demming the Wharfedale Linton, 3-way stand-mounted speakers ($1498/pair with stands) using a neat little Quad Artera Solus integrated amplifier ($1999), both products making their US debuts at AXPONA. He played me "Sympathy for the Devil" from the Stones' Beggars Banquet album on a MoFi StudioDeck+U player ($1499 with MoFi UltraTracker MM cartridge) and a Tim de Paravicini-designed MoFi StudioPhono preamp ($299) and this relatively inexpensive system had this old geezer rocking.
John Atkinson  |  Apr 15, 2019  |  1 comments
I was greeted by a familiar sound from shows past when I went into the first MoFi Distribution room on the Renaissance's third floor: a track from the All Star Percussion Ensemble LP that showed off the superb imaging and terrific transient reproduction of the Manger P2 speakers ($18,995/pair; $21,995/pair in the Rio Palisander veneer being demmed). Using a bending-wave transducer to cover everything from the lower midrange upward, supported below 340Hz by an 8" woofer with a carbon-fiber cone, the P2s sounded perhaps a bit too sweet in the top octaves when the percussion cut was followed by Vivaldi's Four Seasons.
John Atkinson  |  Apr 14, 2019  |  0 comments
The first of the two ELAC rooms I visited featured the Navis ARF-51 powered tower speaker ($4000/pair). This design from Andrew Jones, shown in my photo, features a coaxial tweeter/midrange unit and three woofers. Level controls allow the balance to be optimized—up to ±1dB for the coaxial unit, up to ±4dB for the woofers.
John Atkinson  |  Apr 14, 2019  |  0 comments
The smallest model in ELAC's Carina series, the BS243.4 ($1200/pair) represents a departure from Andrew Jones' other designs that feature a concentric tweeter/midrange driver in that it combines a folded ribbon HF unit with a 5.25" aluminum-cone woofer. A reflex design, its port fires downward from the bottom of the enclosure with a slot formed between the base and a plate underneath it. This should make the speaker easier to place in a room where it can't be used well away from the wall behind it.
John Atkinson  |  Apr 13, 2019  |  0 comments
"What the heck?" Behind the Master Class Area was a giant tan-colored hooded construction, looking like a giant Zamboni machine and labeled "Wynn Audio," with a viewing window at the front.
John Atkinson  |  Apr 13, 2019  |  0 comments
Getting ready for the first day's visitors in AXPONA's Ear Gear Expo, Ayre's vice president and CTO, Ariel Brown, was busy setting up the Colorado's company's QX-5 Twenty D/A processor ($8950, right) Codex D/A headphone amplifier ($1795, hidden in center, and the new QX-8 D/A processor ($4450 with S/PDIF inputs, $4950 with asynchronous USB input, $5450 with USB and Roon Ready Ethernet, left).
John Atkinson  |  Apr 13, 2019  |  0 comments
Celebrating 21 years of affordable Music Hall turntables, the irascible Roy Hall (right) was in fine form on AXPONA's opening day, offering show specials.
John Atkinson  |  Apr 13, 2019  |  0 comments
On my way to AXPONA's Master Class Theater to catch Rob Robinson's seminar on current-mode phono preamplifiers, I was buttonholed by David Janszen. The Janszen name is synonymous with electrostatic drive-units—the midrange unit in the legendary Wilson WAMM was based on Janszen technology—and at AXPONA David was demonstrating prototype electrostatic headphones, the Lotus.
John Atkinson  |  Apr 13, 2019  |  0 comments
Check this out, Herb Reichert. Oklahoma City-based Great Plains Audio grew from what was left of the Altec Lansing corporation in 1998. It focuses on manufacturing the classic high-sensitivity drive-units and speaker systems from the legendary company. Located next to the AXPONA Master Class Theater, the Great Plains booth featured their version of the classic coaxial drive-unit that was introduced in 1944 and powered recording studio monitors in the 1950s and '60s.
John Atkinson  |  Apr 12, 2019  |  7 comments
I turned up at Mike Jbara's Master Class presentation Friday afternoon, "Achieving Authentic Studio Quality Sound," expecting fireworks. Jbara is the chief executive of MQA and many internet denizens had declared that they would be attending his presentation to oppose what he would be saying. But all was quiet during Jbara's 45-minute talk on what he regards as the benefits of the controversial codec to both the music industry and to audiophiles. Another MQA-related Master Class takes place at AXPONA Saturday April 13 at 12 noon. Moderated by Besflores Nievara Jr., Brand Ambassador for Music Direct, Mike Jbara will join MQA partner NAD's CTO, Greg Stidsen, and other panelists to discuss "The Future of High Resolution Audio." Perhaps the fireworks will be in evidence tomorrow!

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