Robert Schryer

Robert's Final Report from the 2019 Montreal Audio Fest
Montreal Audio Fest 2019
Robert Schryer  |  Mar 26, 2019
Magico's three-way A3 speakers ($CD13,000) were the first things I spotted when I entered Sonor-Filtronique's third room. I fondly remembered them from last year—in my 2018 report, I gushed over the sound of the A3s, then driven by Ayre electronics. Magico's most affordable model, the A3 has an enclosure made of 6061 T6 aircraft-grade aluminum, while their drivers boast diaphragms made of beryllium and graphene.
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Robert's Day 3 in Montreal: Grandinote, Elac, Neat Acoustics, Etc.
Montreal Audio Fest 2019
Robert Schryer  |  Mar 25, 2019
A perennial exhibiter at the Montreal fest, Quebec-based importer / distributor Goerner Audio usually puts together a wonderful-sounding system built around a turntable, but this year’s setup was one of my favorites of theirs in recent years, and it included no vinyl.
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Robert's Second Day at the Montreal Audio Fest
Montreal Audio Fest 2019
Robert Schryer  |  Mar 24, 2019
Continuing my exploration of the Sonor-Filtronique room, which began in my first Montreal Audio Fest report, I spotted across the room a brand whose distinct appearance—I'd characterize it as a blend of modern and retro—is instantly recognizable to most audiophiles: Nagra.
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Something in the Air in Montreal—But It's Not the PM’s Ferrari-Red Helicopter
Montreal Audio Fest 2019
Robert Schryer  |  Mar 23, 2019
Even sans Justin Trudeau, who last escorted me to the show in a Ferrari-red Airbus helicopter (not really) I was feeling good about this year's edition—its 32nd—because for months I’d been seeing Facebook posts announcing the return of major brands that previously had bailed on Montreal’s Fest.
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Memories: Best of, Vol.1
As We See It
Robert Schryer  |  Jan 15, 2019
It happened 30 years ago, but I remember it as if it were yesterday: My best friend's brother's friend showed me his record player—an AR turntable equipped with an SME 3009 Mk.III tonearm and a Shure V15 Type V-MR cartridge—and offered to sell it to me at a price that, until that moment, I would never have considered spending for a complete system. "It's audiophile gear," he said with a knowing smile.

Audiophile? The word sounded exotic—and grown-up.

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"You love your audio more than you love me!"
As We See It
Robert Schryer  |  Aug 14, 2018
The blowout happened as I climbed the stairs from the basement, where I'd just spent two hours listening to musi on my hi-fi. Standing rigidly in the archway, a wet sheen of hurt trembling in her eyes, my wife shouted: "You love your audio more than you love me!"

It erupted with such raw emotional force that I knew exactly what she meant, and that she was right: I spent more quality time with my audio than I did with her—or, for that matter, with either of my two homebound teenagers. It was nothing personal; my listening room is my private safe place, conceived and realized in my own image.

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High-Fi?
As We See It
Robert Schryer  |  May 18, 2018
"No one thing turned more people into audiophiles than the '60s counterculture," said Bruno, arm flung over his cash register. "It opened up the doors of sonic perception. Even the great audio designers of the day were countercultural mavericks!"

Bruno is the lanky, braided-beard, thirtysomething owner of a small, well-stocked record shop in Montreal, and we stood facing each other on either side of a glass case filled with vinyl paraphernalia. Bruno has made the most of his limited space. Every foot of each wall supports a shelf crammed with music-related merchandise: rock and jazz memorabilia, album covers, refurbished turntables. There's even a rack in the back for music and audio magazines, including Stereophile.

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Robert's Sunday Afternoon at the Show
Montreal Audio Fest 2018
Robert Schryer  |  Mar 28, 2018
Along with those other nerdy qualities I love about sound reproduction, I love a good soundstage. That's because a good soundstage, like a clever Hollywood movie effect, can provide the push needed to make me believe that someone who can't possibly be there in front of me singing or playing an instrument actually is and that I've missed nothing.

I bring up the soundstage thing not because I think hearing a good soundstage during playback is essential to one's enjoyment of a recording, but because the soundstage thing is the aspect of playback I was most wowed by of the system I heard in the Verity Audio room.

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Robert Schryer's Sunday Morning at the Montreal Show
Montreal Audio Fest 2018
Robert Schryer  |  Mar 26, 2018
My fake award for overall best retail audio store representative at this year's Montreal Audio Fest goes to the genial and youthful-looking Robert de Koninck from Montreal retailer Art et Son. Robert was a veritable fountain of infectious audiophile enthusiasm that extended to the products he represents, the result of which is that I now intend to visit the store he works at.
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Robert Schryer's Second Day in Montreal
Montreal Audio Fest 2018
Robert Schryer  |  Mar 25, 2018
What the Hegel system did was turn a live recording of a guitar-shredding Chicago blues player into an explosive, hotel-room-filling event. The sound was dynamic as all get out, head-bobbingly propulsive, and though slightly coolish in character, excitingly expressive. The gear recipe to this musical fun-romp was a Hegel Mohican CD player (CA$5999), Hegel P30 preamp (CA$8999), 350Wpc Hegel H30 amp (CA$17 000), and PMC MB2 SE 3-way, stand-mount speakers (CA$38 500/pair, stands included), with XLO cabling throughout. A frenzied drum solo sounded so viscerally real that I almost expected to be hit by a flying drum stick.
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