Robert Baird, Larry Birnbaum, Ray Chelstowski

Rabbit Holes #15: King Oliver's (and Louis Armstrong's) Centennial

Although King Oliver's Creole Jazz Band was indubitably led by Joe Oliver himself, this deluxe box set, marking the centennial of the band's recorded debut, focuses on its second cornetist, Louis Armstrong, who was making his own debut. These landmark jazz recordings, nearly the first by a black band from New Orleans, had a profound impact on the jazz that came afterward. They were recorded acoustically, without the use of electricity, and previous reissues have suffered from terminal murk, to the point that individual horn lines could hardly be discerned. Richard Martin and the Archeophone label have done an outstanding job of restoration, rendering the instrumental parts with remarkable clarity.
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ReDiscoveries #4: Lee "Scratch" Perry & King Scratch

"Whip dem, whip dem," sings Junior Byles on "Beat Down Babylon," to the accompaniment of whip cracks that recall the ones on Frankie Laine's "Mule Train." Produced by Mitch Miller some 20 years before Lee "Scratch" Perry produced Byles's reggae hit, "Mule Train" helped establish "the primacy of the producer—even more than the artist, the accompaniment, or the material," according to author Will Friedwald, who adds that "Miller also conceived of the idea of the pop record 'sound' per se: not so much an arrangement or a tune, but an aural texture (usually replete with extramusical gimmicks) that could be created in the studio."
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