Larry Birnbaum
August 2021 Jazz Record Reviews
July 2021 Jazz Record Reviews
January 2021 Jazz Record Reviews
Recording of January 2014: The Rise & Fall of Paramount Records 19171927, Volume One
Third Man/Revenant (6 LPs, USB drive). 191727/2013. Alex van der Tuuk, Jack White, Dean Blackwood, prods.; Christopher C. King, David Glasser, Anna Frick, remastering. AD. TT: 4:12:39 (LPs only)
Performance *****
Sonics Historical
Launched in 1917, Paramount Records initially recorded conventional pop music, such as Arthur Fields's "Good Morning, Mr. Zip, Zip, Zip." But with the hiring of J. Mayo Williams as a talent scout and producer in 1924, Paramount became one of the leading suppliers of "race" records, as discs marketed to African-Americans were then called. For the next decade, Paramount recorded some of the most important blues, jazz, and gospel artists of the era, along with country and pop musicians.
Recording of October 1998: Orchestre National de Barbès
<B>ORCHESTRE NATIONAL DE BARBÈS: <I>Orchestre National de Barbès</I></B><BR> Larbi Dida, vocals; Youcef Boukella, vocals, bass; Aziz Sahmaqui, vocals, percussion; Fateh Benlala, vocals, mandolin; Fathilla Ghoggal, Olivier Louvel, guitar; Alain Debiossat, soprano sax; Toufik Mimouni, Jean Baptiste Ferr, keyboards; Ahmed Bensidhoune, bendir, darbouka; Kamel Tenfiche, vocals, percussion; Karim Ziad, karkabous; Michel Petry, drums<BR> Tinder 42853192 (CD). 1998. Tajmaat, Djilali Aichioune, prods.; Luis Saldanha, Antoine Illouz, Delphine Presle, engs. AAD? TT: 78:33<BR> Performance <B>*****</B><BR> Sonics <B>****</B>