I promise not to tell you that the 40th Anniversary Edition Harbeth P3ESR loudspeaker sounds like a bigger speaker than it actually is. It does not. Likewise, I won't suggest that it offers a large portion of what Harbeth's bigger, more expensive models doI'll leave that to the happy owners on the Harbeth User Group. But can I tell you it's good value for the money? The current, non-anniversary version of the P3ESR costs $2195/pair (footnote 1), while the souped-up, tarted-up 40th Anniversary Edition goes for $2890/pairprices I think are chickenfeed, considering all the timeless virtues and musical satisfactions I have discovered in both versions.
The super cool Rudy Dupuy of Dupuy Acoustique (in Congers, NY) says he used to make loudspeakers, but then he realized that the time-delayed and out-of-phase reflections from the wall behind the speakers always sabotaged any hope of loudspeaker coherence. So he stopped making speakers and developed the tunable Phase Restoration Acoustical Panel (PRAP).
A fun fixture of every audio show is the hanging badge-on-a-lanyard we all acquire at the registration table. I'm glad for these thingsat least the large-print editionsbecause they help me overcome the steady embarrassment I feel because I can't remember any names. If you know me, I am sure you have talked to me while I've stared at your belly trying hopelessly to memorize your name.
The original PS Audio Sprout, which I reviewed in the May 2015 issue, showed newcomers an easier, smaller way to amplify music recordings in the home. At $599, the Sprout100 costs $100 more. It fixes a few of the old Sprout's weirdnesses: no power-on indicator light, no remote control, five-way binding posts that weren't really five-way. It also doubles the Sprout's class-D power output into 4 ohms, from 50 to 100Wpc (or 50Wpc into 8 ohms), and adds a few sonic and mechanical enhancements.
When I began writing for Stereophile, I dreaded doing comparisons. They were stressful and tediousand what if I got them wrong? But I quickly learned: Not only do readers enjoy comparisons, they need them. How else might they imagine the relative merits of the component under consideration? Once I realized this, I began acquiring a range of reference amplifiers.
But conspicuously missing from my audio menagerie has been a fast, neutral, 100Wpc tube amp to put more pop, fire, and maybe a little glow, into the Harbeth M30.2s.
The days were long, the strawberries ripe, but it wasn't quite summer. It was, however, a perfect night for Otis Redding and Carla Thomas singing the Lowell FulsonJimmy McCracklin classic "Tramp," on a 7" 45rpm single (Stax 45-216).
Otis: What you call me?
Carla: Tramp! You don't wear continental clothes, or Stetson hats.
The day I installed the review samples of Legacy Audio's Studio HD loudspeakers, my friend Jay-Jay, a speaker manufacturer, dropped by to hang out and eat Mexican food. When he spotted the glossy black Legacys, he laughed.
"So, Herblooks like these speakers are going to get a bad review."
The trouble with a classicist he looks at the sky
He doesn't ask why, he just paints a skyJohn Cale and Lou Reed, "Trouble with Classicists," from Songs for Drella
Left brain/right brain, yin/yang, male/female, Apollonian/Dionysian, classical/romantic, painterly/linear, dark/light, hard/soft, warm/cool...I use these contrasting adjectives in my reviews because I feel some confidence in their ability to convey the nature of what I experience while listening to recordings with whatever new audio box sits before me in the listening studio.
I also use: accurate (I hate that word), neutral (what's that?), colored, clean, transparent, open, musical. Sadly, I have little confidence in their ability to describe my experiences.
Before I spin this 23rd edition of "Gramophone Dreams," I must ask: How many of you are using zip-cord as your speaker cables? RadioShack interconnects? Those black universal 18/3 power cords that come standard with virtually every audio amplifier?
AudioQuest Storm Tornado/High-Current power cord
A few months after I wrote about AudioQuest's Niagara 1000 power-line conditioner ($1000), my friend Sphere asked if I'd ever then removed the Niagara from my system, listened, and still thought it improved the sound.