Herb Reichert

Herb Reichert  |  Nov 27, 2018
I promise not to tell you that the 40th Anniversary Edition Harbeth P3ESR loudspeaker sounds like a bigger speaker than it actually is. It does not. Likewise, I won't suggest that it offers a large portion of what Harbeth's bigger, more expensive models do—I'll leave that to the happy owners on the Harbeth User Group. But can I tell you it's good value for the money? The current, non-anniversary version of the P3ESR costs $2195/pair (footnote 1), while the souped-up, tarted-up 40th Anniversary Edition goes for $2890/pair—prices I think are chickenfeed, considering all the timeless virtues and musical satisfactions I have discovered in both versions.
Herb Reichert  |  Nov 14, 2018
The super cool Rudy Dupuy of Dupuy Acoustique (in Congers, NY) says he used to make loudspeakers, but then he realized that the time-delayed and out-of-phase reflections from the wall behind the speakers always sabotaged any hope of loudspeaker coherence. So he stopped making speakers and developed the tunable Phase Restoration Acoustical Panel (PRAP).
Herb Reichert  |  Nov 10, 2018
A fun fixture of every audio show is the hanging badge-on-a-lanyard we all acquire at the registration table. I'm glad for these things—at least the large-print editions—because they help me overcome the steady embarrassment I feel because I can't remember any names. If you know me, I am sure you have talked to me while I've stared at your belly trying hopelessly to memorize your name.
Herb Reichert  |  Nov 09, 2018
I could ride my bike there from Brooklyn. What's not to like?
Herb Reichert  |  Oct 23, 2018
The original PS Audio Sprout, which I reviewed in the May 2015 issue, showed newcomers an easier, smaller way to amplify music recordings in the home. At $599, the Sprout100 costs $100 more. It fixes a few of the old Sprout's weirdnesses: no power-on indicator light, no remote control, five-way binding posts that weren't really five-way. It also doubles the Sprout's class-D power output into 4 ohms, from 50 to 100Wpc (or 50Wpc into 8 ohms), and adds a few sonic and mechanical enhancements.
Herb Reichert  |  Oct 16, 2018
When I began writing for Stereophile, I dreaded doing comparisons. They were stressful and tedious—and what if I got them wrong? But I quickly learned: Not only do readers enjoy comparisons, they need them. How else might they imagine the relative merits of the component under consideration? Once I realized this, I began acquiring a range of reference amplifiers.

But conspicuously missing from my audio menagerie has been a fast, neutral, 100Wpc tube amp to put more pop, fire, and maybe a little glow, into the Harbeth M30.2s.

Herb Reichert  |  Oct 04, 2018
The days were long, the strawberries ripe, but it wasn't quite summer. It was, however, a perfect night for Otis Redding and Carla Thomas singing the Lowell Fulson–Jimmy McCracklin classic "Tramp," on a 7" 45rpm single (Stax 45-216).

Otis: What you call me?

Carla: Tramp! You don't wear continental clothes, or Stetson hats.

Herb Reichert  |  Sep 27, 2018
The day I installed the review samples of Legacy Audio's Studio HD loudspeakers, my friend Jay-Jay, a speaker manufacturer, dropped by to hang out and eat Mexican food. When he spotted the glossy black Legacys, he laughed.

"So, Herb—looks like these speakers are going to get a bad review."

"Why's that?"

"You told me you didn't like shiny speakers."

Herb Reichert  |  Aug 23, 2018
The trouble with a classicist he looks at the sky
He doesn't ask why, he just paints a sky
—John Cale and Lou Reed, "Trouble with Classicists," from Songs for Drella

Left brain/right brain, yin/yang, male/female, Apollonian/Dionysian, classical/romantic, painterly/linear, dark/light, hard/soft, warm/cool...I use these contrasting adjectives in my reviews because I feel some confidence in their ability to convey the nature of what I experience while listening to recordings with whatever new audio box sits before me in the listening studio.

I also use: accurate (I hate that word), neutral (what's that?), colored, clean, transparent, open, musical. Sadly, I have little confidence in their ability to describe my experiences.

Herb Reichert  |  Jul 24, 2018
Before I spin this 23rd edition of "Gramophone Dreams," I must ask: How many of you are using zip-cord as your speaker cables? RadioShack interconnects? Those black universal 18/3 power cords that come standard with virtually every audio amplifier?

AudioQuest Storm Tornado/High-Current power cord
A few months after I wrote about AudioQuest's Niagara 1000 power-line conditioner ($1000), my friend Sphere asked if I'd ever then removed the Niagara from my system, listened, and still thought it improved the sound.

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