Herb Reichert

Technics spent all of 2016 re-emerging into the Euro-American audio market—and they did it with full-on high Japanese style and connoisseur-level sound. At last year's CES, Technics introduced their Grand, Premium, and Reference class audio products—including the 100 percent new SL-1200GAE/G/GR turntables! They made a big splash then, and now they're doing it again.

Today, in Vegas, DeVore's super-sensitive Orangutan O/96 loudspeakers ($12,000/pair) were powered by Sugden's Masterclass LA-4 line preamplifier ($3750) and Sapphire FBA800 40Wpc class-A amplifier ($7500). The system was playing Sharon Jones and the Dap-Kings (on Daptone Records) with super cool but hot-running LP joy.

The one that has me the most stoked is the Rogers High Fidelity 65V-1 class-A, single-ended EL34/KT88 integrated amplifier ($3999). Not to mention: I have never seen an amp painted with industrial-black crinkle paint that I didn't love.

Emotiva looked so direct-sales, street-wise smart—and everybody was talkin’ about how musical Emotiva’s stuff sounds: “It sounds good—and they're givin’ it away!” I couldn’t wait to try one of their products.

The Micromega M-One has more features than any of those silver-age contraptions, but to my eye, it is the purest, most high-design-beautiful audio machine on the planet. And, of course, it's made in France.

Perhaps because of Bent Holter's recent revision of his "distortion-reducing" SoundEngine technology, the elegant Röst drove the desktop-mounted KEF-LS50s with purity, lust, and musical authority…

It looks pro-school Paul Newman racing-driver cool, especially in black. It puts out 300W into 8 ohms and 600W into 4 ohms, and can deliver a peak output current of 27A. Did I mention each amp weighs only 15.4 pounds? (I could carry both channels home on the subway.)