Jason Victor Serinus

It may be just a subway ride away from the biggest Apple, but to some inveterate Manhattanites, an audio show in Brooklyn sounds like it's from another planet. In reality, the third New York Audio Show, which opens to the public on Friday, September 26 at 2pm and continues through Sunday, September 28 at 5pm, takes place at the Marriott at the Brooklyn Bridge, just a short distance across the East River from Manhattan.

Move over John, George, Ringo, and Paul. There's another remastering that's come on the scene, and it's every bit as important as the Beatles Mono Edition. It's Warner Classics' high-resolution, 24/96 digital remastering of soprano Maria Callas' entire studio-sourced discography. Consisting of arias, recitals and complete operas recorded 1949–1969, the remasterings reach the international public on September 22, and US music lovers on September 23. Their sound, whether in the 69-CD box set of her entire studio recordings, or HDtracks' 24/96 downloads of its individual components, is revelatory.

What a difference a change of location can make! What was originally a major challenge—AudioVision SF, one of the country's major dealerships, literally had the rug pulled out from under them by their landlord last spring, and needed to raise money and scurry to a new location—has turned into a major opportunity: a spanking new venue, whose main listening room sounds much—that's much, as in much—better than before.

Snatching my prize for best sound on the third floor, the world premiere of the new Wells Audio Innamorata Signature amplifier ($13,000), enhanced by the new crystal technology in Jack Bybee's A/V Signal Enhancers ($119.95) and Bybee Technologies power cables ($1500), blew me away. Whoever expected, on Reference Recordings' new Kansas City Symphony recording of the suite from Prokofiev's Love for Three Oranges, such impeccably detailed, superbly controlled full-range sound in such a small room?

Sundays customarily draw a smaller attendance at shows, but CAS's Sunday across from San Francisco International Airport was especially slow until, surprisingly, things speeded up shortly before the runway was in sight. Either lots of audiophiles spend their Sunday mornings in church, or they're too occupied with family, brunch with friends, or hangovers to get a move on before noon. Happily, things were not at all slow in the room shared by Burwell & Sons and Raven Audio . . .

In the beginning, there was . . . No, this is not a Bible study course, but I do wish to pave the way (with gold, I wish) to the Genesis Advanced Technologies room hosted by Gary and Carolyn Koh and Joe Pittman. Mostly exhibiting Genesis products, the system was headlined by the hardly small Genesis G2 Juniors ($85,000/pair), driven by Genesis GR1440 monoblocks ($22,000/pair), unheard Genesis Muse Server/DAC ($12,000), Genesis SMC-1 preamp (prototype model—$18,000) with Absolute Fidelity Balanced Interface ($5500 for 6 meters), Genesis phono preamp ($12,000), Genesis cabling, and a prototype Genesis Foundation Equipment Stand ($12,000).

As soon as I entered the room sponsored by Loggie Audio of Redwood City, CA, the system's superior air, depth, and resolution were immediately apparent. The reason: YG Acoustics "Hailey" loudspeakers ($42,800/pair), Bryston 28B SST-2 1000Wpc monoblocks ($19,200/pair), Esoteric K-01 SACD player ($20,000), Audio Reference Technology "Analyst" cabling and power conditioning, and Harmonic Resolution Systems SXR stands and platforms. Oh, and a large room that gave the system more than enough space to expand and breathe.