Jason Victor Serinus

Thanks to the customary high level of organization that has made Germany's High End Society such a central part of the audiophile industry, Munich High End 2022 was a resounding success. The industry-organized show attracted 19,767 visitors to the 28,000 square meters of halls and atriums it occupied in Munich's sprawling MOC Event Center.

There are no accidents, eh? A chance meeting with Wilson-Benesch's Luke Milnes, followed by several email and WhatsApp check-ins, led me to my final exhibit at Munich High End. There, in a system that also featured Audionet products, reigned the 308lb Wilson-Benesch Omnium loudspeaker ($169,000/pair), second in command in the company's reference Fibonacci Series. Containing three pairs of isobaric-loaded woofers, two additional bass drivers, one midrange unit, and the Fibonacci tweeter, this hardly diminutive loudspeaker utilizes new bio-composite technology that replaces the carbon-fiber Monique enclosure technology Wilson-Benesch pioneered in 1994.

The briefest of visits to the dCS room in Munich revealed the Vivaldi One Apex ($95,000). Originally released as the Vivaldi One in 2017 to commemorate the company's 30th Anniversary, the MQA-friendly, single chassis, all-in-one network music player, CD/SACD transport and Master Clock, upsampler and DAC has resurfaced in new Apex form. Only 50 new Vivaldi One Apex units are available. The 250 owners of the original 30th Anniversary model can upgrade to full Apex status ($9000).