Jason Victor Serinus

Jason's First Day Continues

Andy Carr, Marketing Director of the UK's Cambridge Audio, introduced two of the company's systems: a CX series system that included Cambridge Audio Aeromax 2 bookshelf speakers ($649/pair), and an 851 series that used Aeromax 6 floorstanders ($1299/pair). Both speaker models incorporate Cambridge Audio's BMR (Balanced Mode Radiator) drivers and dedicated subwoofers. Playing a FLAC file of Eric Bibb's "Rocking Chair" through, I believe, the CXN upsampling network music player ($999), the lower priced system ($2700 total + XLO cabling) produced really nice, smooth sound that felt just right for grabbing a beer, settling down, and mellowing out . . .
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Jason's First Day at RMAF

The Rocky Mountain Audio Fest decided to give press a head start this time around by inviting us in two hours before the show's official noon opening on Friday. While not all manufacturers got on board—several of the rooms I tried to visit on the 2nd floor of the Marriott Denver Tech Center's Tower were locked—digital audio pioneer dCS leaped into the breach by staging a 10am press conference for the official release of the dCS Rossini CD player. The company's Martin Reynolds (above) flew over from the UK to do the presentation.
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Music Events Start Sunday at Seattle Area Retailer

One look at Gig Harbor Audio's events for September makes you stop and wonder. This month, the store, located near the water in the picturesque town of Gig Harbor, WA less than an hour from Seattle, began the month with a live concert by homegrown band, Rokkerbox, which benefitted for the local food bank. Next on the schedule are a three-hour "Social Media Basics" workshop with Tiffany Burke (September 20), a weekly hour-long "Disc After Dark" all-ages listening party (September 22), and a PTSD Healing Summit (September 25). With not a single presentation by an industry heavyweight, and lots of events aimed at the wider community, this is not your typical schedule for a high-end emporium.
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The 2015 Capital Audio Fest Starts Friday

This year's three-day Capital Audio Fest (CAF) opens on August 28 in Rockville, MD, relatively close to the nation's capitol. In a new, unquestionably friendlier and eminently accessible location, the Hilton Rockville, the show promises, at press time, up to 39 active exhibit rooms, probably more than the 118 "officially listed" brands and exhibitors, and a potential 300+ products.
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The 2015 California Audio Show: Not Just Another Show

The California Audio Show may have been smaller than in years past, but its proportion of excellent sounding systems—6 out of 32 or so, if you count exhibit rooms that had more than one system in play—was quite high. For this reason alone, I believe the show offered great value for attendees. And it also offered some great views of San Francisco International Airport, as this shot, taken through my 7th-story hotel window, attests.

Here is the word on show attendance from show organizer, Constantine Soo: The final number is 2300 attendees.

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The Nelson Pass Seminar at CAS6

It's a rare day when famed amplifier designer Nelson Pass leaves his bench to deliver a seminar. It's even rarer when that seminar is geared toward consumers rather than what he calls "specialists." In fact, at the start of his talk, Nelson confessed that after almost 50 years building amplifiers, his CAS seminar was his first ever tailored specifically toward consumers.
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California Audio Show: Elite Gold

Yes, boys and girls, there was yet one more distinctly superior system at CAS6. In addition to Bricasti, Elac/Audio Alchemy, and the two systems from AudioVision SF that included a varying combination of Dynaudio/YG Acoustics/Bel Canto Black/Pear Audio/Nordost and more, Michael Woods' Elite Audio Systems of San Francisco Kharma/CH Precision/Viola/Spiral Groove/ Primare/IsoTek and more system blew me away. Adding to his triumph is the fact that, on Thursday evening, a frustrated Michael (pictured on the right next to Kevin Wolff of Vana Ltd. and, on the left, Allen Perkins of Spiral Groove) had told me that he was having a near-impossible time controlling the room.
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California Audio Show 2015: Striking Gold on Day 3

How to explain this one? At other shows, the most problematic rooms for an exhibitor to control are usually the large rooms on the ground level, where a combination of air walls, air-conditioning ducts, wall composition, and secrets pacts between the Devil and the Deep Blue Sea (which, in this case, was literally across the street from the Westin SFO) can defeat any and all attempts at good sound. But at both the California Audio Show and the last T.H.E. Show Newport Beach, most of the big rooms on the ground floor produced excellent sound.
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