Jason Victor Serinus

Cellist Antonio Lysy, whose Yarlung Records recording Antonio Lysy at the Broad won a Latin Grammy for its inclusion of Lalo Schifrin's song "Pampas," has returned with a unique recording of South American-connected compositions and arrangements. Aptly titled South America (YAR80167DSD), the nine compositions honor Astor Piazzolla, Heitor Villa-Lobos, Carlos Gardel, Antonio's violinist father Alberto Lysy, and Argentine bandoneon master Coco Trivisonno. There's even some Brazilian-tinged J.S. Bach and a work by Spanish cellist Pablo Casals.

In a definite sign of the times, Sony Classical is poised to bring the 60-year old classic RCA Victor Living Stereo series to streaming, hi-rez download, and social media platforms. Beginning on Friday April 27, and lasting for two months, Living Stereo playlists—Living Stereo Spectaculars, Living Stereo Top 50, and Living Stereo Deep Cuts among them—will stream on Apple Music, Spotify, and Deezer.

"Phones are the gateway device," proclaimed Marc Finer, executive producer of the Hi-Res Pavilion, at the start of the 2018 Consumer Electronics Show. When he pointed to LG Electronics' V30 Hi-Res+MQA smartphone, which includes streaming apps for Qobuz, Tidal, and YouTube, I sensed the truth in his words. The latest stats from survey company MusicWatch confirm that at least 87% of smartphone owners use a music-streaming service, including the largest, YouTube. Twenty percent of owners said that they stream music/music-related content daily, and 39% stream five or more days per week.

The remarkably relaxed, smiling faces of AXPONA Tradeshow Coordinator Jordan Brereton (left) and VP/Event Director Liz Miller (right) say it all. Photographed after show's close, Jordan and Liz were poised to announce that under the leadership of JD Events Founder and CEO Joel Davis, their team of 8 had sold 8134 tickets—up 21% from 2017—and welcomed 5718 unique visitors to the largest consumer audio show in the United States. The number of tickets sold to students ages 15-25 increased by 27%. This to a show with 165 active exhibit rooms and an over-15,000 square foot exhibit hall that hosted booths from 96 companies, half of which were part of the Ear Gear Expo.

The final room I visited on the 15th floor turned out to be one of the best. Thanks in no small part to Jeff Joseph and Lucien Pichette's joint set-up acumen, plus a little help from what Jeff calls the "audio gods," a recording of the great Ella singing, on tape, Johnny Mercer and Richard Whiting's "Too Marvelous for Words" was a total delight.

With very few exceptions, the 4th floor of the Renaissance Schaumberg was filled with fine to extraordinary sounding rooms. The sound was so good that Jana Dagdagan and I returned to the floor on Day Two to shoot video in three of the rooms. You'll see what fun we had (in very cramped quarters) when the video appears down the road…

Most of my audio show experiences have been mixed, with strings of fine-sounding rooms punctuated by others that have sounded mediocre or worse. On the worst of days, the pattern has been reversed, with room after room sounding so dismal that I occasionally began to wonder if I was suffering from a temporary case of sonic indigestion. But on the Renaissance Schaumberg's 4th floor, despite room layouts that seemed to have been designed by the Son of the Set-up Demon himself, room after room delivered fine sound.