Stephen Mejias

Urban Fidelity reaches its goal

Congrats to Josh Ray and Urban Fidelity for reaching their Kickstarter goal. With the funding necessary to get off and running, Urban Fidelity seems poised to make a big debut at this year’s Rocky Mountain Audiofest. In pictures, they're gorgeous, but I can’t wait to find out how these speakers really look and sound.

But at just $399/pair ($299/pair, if purchased before August 8), they seem like a bargain: floorstanding loudspeakers, made in the US, featuring several unique designs by independent artists.

I’d love to hear your thoughts on this.

Continue Reading »

A Strange Question

In my August column, page 43, just before I have a blast with the $400/pair Definitive Technology StudioMonitor 45 loudspeakers, I discuss a few letters I’ve recently received from readers, asking if I’m satisfied with reviewing “lower-end” gear.

Am I satisfied?

Continue Reading »

Good Times

I spotted this familiar magazine in the lobby of the hospital where, just last Saturday, my sister gave birth to a healthy, handsome boy.

It was our March 2007 issue&#151someone needs to renew the hospital’s subscription. Flipping through its pages was like taking a walk back in time.

Continue Reading »

Dust & Grooves: The Book

Back in July 2011, we discussed the New Face of Vinyl. Young vinyl enthusiasts, Ben Meadors and Owen McCafferty, turned to Kickstarter to fund their dream of traveling across the country and meeting teens who were similarly interested in collecting and playing LPs. They met their goal of $6500 and made their way across the US, documenting every step along the way.

Now, Dust & Grooves’ Eilon Paz wants to document every face of vinyl. Paz, a Brooklyn-based photographer and vinyl enthusiast, plans to travel across the country, telling the great American story through its vinyl collectors.

Continue Reading »

Urban Fidelity Art Speakers

When I first met Josh Ray at a hi-fi show several years ago, I was impressed by his desire to bring high-end audio to a larger audience&#151an endeavor that I can easily appreciate. At the time, Josh sat atop the masthead of the forward-thinking audio review website, Sonic Flare. Along with Danny Kaey and a small cast of writers, Josh made Sonic Flare a fun and interesting web destination. But while SF’s reviews were consistently informative, I always wondered if Josh’s interests were more aligned with promoting the overall idea and allure of high-end audio.

Today, Danny Kaey has assumed full responsibility for Sonic Flare, while Josh Ray turns his attention to a new endeavor: Urban Fidelity, a loudspeaker company aimed at bringing hi-fi to a new generation of listeners. Josh sees an opportunity:

Continue Reading »

100 Waltzes for John Cage

Composer Kevin James looks a bit tired of making field recordings. Recordings for 100 Waltzes for John Cage were captured during 45+ nearly continuous hours of driving around New York City. Photo: The [kāg] ensemble.

Tuesday&#150Thursday, August 21–23, 7:30pm: In celebration of John Cage’s 100th birthday, The [kāg] ensemble will perform Kevin James’s 100 Waltzes for John Cage at the DiMenna Center, Mary Flagler Cary Hall (450 West 37th Street, New York).

Inspired by Cage’s 49 Waltzes for the Five Boroughs, for which a score was created by randomly selecting 147 locations on a New York City map, James’s work is said to answer the question, “What would Cage have done with the advanced technologies that have shaped our ever-expanding information age?”

I'd like to think he'd have thrown them out the window and made a score from their shattered bits and pieces. Kevin James, it seems, feels similarly:

Continue Reading »

Looking Forward: The xx’s Coexist

I approached The xx’s self-titled debut with caution. The hype surrounding it was enough to turn me away. I remember talking about the record with Karen at Other Music. “It’s definitely one of those albums that polarizes people,” she said.

Soon, though, it became unavoidable. I might be able to hide from it at home, but I couldn’t escape it at work. By the middle of 2010, a hi-fi show wasn’t complete without The xx.

Continue Reading »
Advertisement
Advertisement
Advertisement