SSI 2011

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John Atkinson  |  Apr 06, 2011  |  1 comments
The 2011 SSI was my first chance to see and hear the Limited Edition Les Paul Signature version of Thiel's well-received CS3.7 loudspeaker. The last complete design by the late Jim Thiel, the CS3.7 was favorably reviewed by Wes Phillips in December 2008. Wes concluded that he "loved, loved, loved the Thiel CS3.7!"
John Atkinson  |  Apr 06, 2011  |  0 comments
Clarity Audio's large room featured three systems set up along three of the walls, one featuring Nola speakers, one featuring Eggleston speakers, and one featuring the YG Anat 2 Studio speakers seen in the photo. Connected to stylin' Jones 300W monoblocks ($24,000/pair) and a Jones Pre-S-1 preamplifier with Kubula-Sosna cable, the sound of a woman singing Sting's "Roxanne" and John Lennon's "Come Together," accompanied by double bass (Musica Nuda), was palpably real. However, although YG introduced a new version of the Anat at January's CES featuring machined aluminum cones, the speakers at SSI were the older Series 1 model.
John Atkinson  |  Apr 06, 2011  |  0 comments
The other system I auditioned in the Clarity room featured Nola Viper Reference speakers ($16,000/pair) driven by a Mimetism 7500 CD player and 7500 amplifier and with AC power conditioned, as it was for the YG/Jones system in the next story, by a Silver Circle Pure Power One isolation transformer (a Mikey Fremer fave).
John Atkinson  |  Apr 06, 2011  |  0 comments
"Big sound, uncolored mids, very smooth highs" read my notes from the Lafleur room, scrawled on my pad while I listened to Muddy Waters' classic Folk Singer album. Canadian manufacturer Lafleur had made a big splash at the 2008 Montreal Show with the launch of its two-way X1 standmount and the company's 2011 room featured the X2 ($18,000/pair) driven by a Pathos hybrid integrated amplifier and a Clearaudio turntable.
John Atkinson  |  Apr 06, 2011  |  1 comments
The Helium2 has long been one of Stereophile's long-term reference monitors, so I was expecting good sound when I went into the VMax Services room. And apart from the ubiquitous upper-bass boom that afflicted the standard-sized rooms at the Hilton Bonaventure, good sound was what I heard.
John Atkinson  |  Apr 06, 2011  |  0 comments
Live music has always been a big feature of the SSI, and a treat this year for me was the pair of concerts presented by Cardas Audio featuring virtuoso electric bassist Dean Peer and drummer Bret Mann. It was hard to believe at times that there were just two musicians, such was the wall of sound being produced with tracks from Dean and Bret's Airborne album (now available on LP as well as CD and a 24/96 USB key). After the show I felt I had to count Dean's fingers, I was so sure there were more than five on each hand!
John Atkinson  |  Apr 06, 2011  |  0 comments
Resident band at SSI is Give, featuring vocalist Caroline St-Louis and guitarist Stephen Ritch, who performed for trade and press attendees at the Awards party Thursday night. At the 2010 Show, SSI had their new CD available (a beautifully recorded album that proved that rock music doesn't have to be compressed to sound good); this year, the Show was selling a USB key of the Give Band's music.
Robert Deutsch  |  Apr 06, 2011  |  1 comments
The Give Band's Caroline St-Louis at last Thursday night's concert.
Art Dudley  |  Apr 06, 2011  |  0 comments
I admit: I’m impressed that the Danish loudspeaker manufacturer Peak Consult has made such a name for itself in little more than a decade. (Adding to my surprise is the fact that “Peak Consult” does not, at first glance, seem to mean anything—although the name makes sense once it’s been explained.) Now Jay Rein and Bluebird Music, North American distributors of Chord and Exposure electronics, Spendor loudspeakers, and van den Hul cables, have taken on the line.
John Atkinson  |  Apr 05, 2011  |  First Published: Apr 06, 2011  |  0 comments
Nordost's dem system comprised a Simaudio Moon 750D CD player, Simaudio Moon 700i integrated amplifier (favorably reviewed by Fred Kaplan in March), a Quantum system conditioner, Joseph Audio Pulsar stand-mounted speakers ($6999/pair), and, of course, Nordost cables.
Art Dudley  |  Apr 06, 2011  |  0 comments
My reputation preceded me: Everywhere I went, people who knew me stopped and asked, “Have you heard the new Lowther yet?” The speaker in question was actually a Lowther-alike from the German firm Voxativ, named the Ampeggio ($29,750/pair), and as I told everyone who asked—unsmugly, I hope—I’ve had a loaner pair in my house since mid-March.
Robert Deutsch  |  Apr 06, 2011  |  0 comments
A few years ago, back when Salon Son & Image was called Festival Son & Image, Frch manufacturer Cabasse demonstrated their flagship La Sphère speaker system—which is still in the line, and currently sells for $168,565/system. It was most impressive sonically, and look was certainly unique, but with a tax-in price that's close to $200k, this is not a speaker that sells in large numbers. But lovers of the Cabasse sound can rejoice: for less than the Quebec provincial sales tax and Canadian federal Goods and Services tax on La Sphère ($22,756), you can get the Cabasse Artis Riga ($11,805/pair) and Santorin subwoofer ($5065). And the sound of this demo system (with McIntosh electronics)—while perhaps not at the level of La Sphère—was very nice indeed: open, non-boxy, and with great imaging.
Robert Deutsch  |  Apr 06, 2011  |  0 comments
ProAc is an English loudspeaker manufacturer that doesn't change models willy-nilly: if it works well and people buy it, then why change it? And if change comes, it should be purely evolutionary, perhaps a refinement of the crossover, or drive units replaced by improved versions of the same models. So, for ProAc, replacing the popular Response D38 with the D40 ($12,000/pair) represents. . .
Robert Deutsch  |  Apr 06, 2011  |  0 comments
The title "Ask the Editors" suggests one-way communication: people in the audience ask questions, and, guru-like, Stereophile writers answer these questions. In fact, communication at these events goes in both directions. For example, at the 2011 "Ask the Editors" session, one of the attendees mentioned that he was really impressed with the demo of a speaker made by Live Audio, a company based in Quebec.
Robert Deutsch  |  Apr 06, 2011  |  2 comments
John Atkinson (right), Art Dudley (center), and I had a good time at Stereophile's "Ask the Editors" session on Saturday afternoon, and, judging by the response, so did the people who asked the questions. The questions ranged from the general/philosophical, like whether it makes sense to use the "absolute sound" of unamplified music as the only reference in evaluating audio components, and the specific/technical, like the advantages/disadvantages of USB connections for high-performance audio.

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