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Stereophile Staff  |  Apr 11, 1999  |  0 comments
A surreal event took place at the 1991 Audio Engineering Society Convention when loudspeaker cables were put on the witness stand. Robert Harley details the amazing event as it unfolded, along with many unexpected twists and turns, in "Audio McCarthyism."
Jon Iverson  |  Apr 11, 1999  |  0 comments
Last week, The Recording Industry Association of America released its year-end anti-piracy statistics, which it says reveal an increase in the number of counterfeit and pirate CDs and CD-recordables confiscated in 1998. "We've had tremendous success this year with our anti-piracy initiatives," said Frank Creighton, senior vice president and director of anti-piracy. "Between the many CD plants around the country adopting better business practices to the scores of universities signing up for our copyright education program---we're making strides on all fronts."
John Atkinson  |  Apr 11, 1999  |  0 comments
Stereophile magazine is pleased to announce that senior contributing editor Jonathan Scull has joined its full-time staff as senior editor. As of April 19, 1999, he will be based at parent company Emap Petersen's office on lower Fifth Avenue in Manhattan's Flatiron district.
Barry Willis  |  Apr 04, 1999  |  0 comments
Advances in audio reproduction typically proceed with tiny steps that, in time, add up to major systemic improvements. In this industry, quantum leaps in basic technology rarely happen. DiAural Doppler decoding may be one of them.
Jon Iverson  |  Apr 04, 1999  |  0 comments
Last week saw a flurry of announcements in the online audio and video streaming business, capped off by Yahoo!'s acquisition of Broadcast.com. Yahoo! says it has signed a definitive agreement with Broadcast.com whereby Yahoo! will issue 0.7722 of a share of Yahoo! common stock for each share of Broadcast.com common stock. In addition, all outstanding options of Broadcast.com will be converted into Yahoo! options. The acquisition is expected to be completed in the third quarter of 1999 and is valued at around $5.7 billion, including $4.8 billion in Broadcast.com common stock and $900 million in stock options.
Barry Willis  |  Apr 04, 1999  |  0 comments
Forget about tuning dots, mystical poker chips, and clocks with programmed electrons. They're all hopelessly out of date.
Stereophile Staff  |  Apr 04, 1999  |  0 comments
Any audiophile who stumbles onto one of the more cantankerous audio newsgroups ("wreck audio opinion," anyone?) may wonder what has happened to the modern breed of audiophiles. One suspects that religious wars pale when compared to how some audio pundits jostle against each other! But over the years, there has always been a wide variety of opinion. For a perspective written decades ago that still holds true today, we present J. Gordon Holt's classic "Why Hi-Fi Experts Disagree."
Barry Willis  |  Mar 28, 1999  |  0 comments
Holding his thumb and forefinger together to reveal barely a sliver of light, Chris English said, "This close. We're this close." He wasn't talking about how far apart we were sitting, but about how close Threshold is to being back in business after an attempted restructuring last year did not work out.
Barry Willis  |  Mar 28, 1999  |  0 comments
Accidents and disasters have no sense of good timing, and when they strike have a way of fouling even the most promising love affairs. Case in point: loudspeaker manufacturer Von Schweikert Research and the small town of Watertown (pop. 30,000) in northern New York, about three hours' drive from Toronto.
Stereophile Staff  |  Mar 28, 1999  |  0 comments
Last week, in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners, we ran Corey Greenberg's scathing review of an audio book that misses the mark by a wide margin. This week, in Book Review: The Complete Guide to High-End Audio, we examine a book written by erstwhile Stereophile consulting technical editor Robert Harley. He does not emerge unscathed!
Stereophile Staff  |  Mar 28, 1999  |  0 comments
Last week, the Recording Industry Association of America released its annual demographic survey of 3051 music purchasers in the United States. "Several interesting profiles emerged in 1998, including the boom in R&B and Gospel, as well as the sharp decline in Rock sales," said Hilary Rosen, RIAA president and CEO. "Demographic shifts also continued, with women outbuying men for the second year, and a drop in purchases among 15-to-29-year-olds, contrasted by significant growth among those age 35 and older." Last month, the RIAA released its annual year-end shipments statistics, which revealed the size of the domestic sound-recording industry in 1998 to be $13.7 billion.
Robert Deutsch  |  Mar 21, 1999  |  0 comments
Montreal audiophiles are a hardy lot. Last winter, the city experienced the most devastating ice storm in its history, with power lines demaged to the point that almost the entire city was plunged in darkness. At the time of the 1998 Festival du Son et de l'Image (aka the Montreal Audio/Video Show), residents were still recovering from the effects of the storm. Did this calamity stop the show? No way! By all accounts, the 1998 show was the most successful in the event's 11-year history. I missed it myself, but I made sure that I wouldn't miss the next one.
Stereophile Staff  |  Mar 21, 1999  |  0 comments
Myles Astor, publisher of Ultimate Audio, recently announced that former Stereophile contributing editor Jack English has joined his publication as a senior editor.
Barry Willis  |  Mar 21, 1999  |  0 comments
Owners of Apogee Acoustics loudspeakers are apparently being left to twist in the wind by a/d/s/, the company that took over Apogee and subsequently shut it down (other than to apply the brand to a range of switch-mode power amplification modules). Service will no longer be available for the ribbon speakers, according to Apogee owner Matt Carnicelli.
Jon Iverson  |  Mar 21, 1999  |  0 comments
First with CD players, then digital preamps, and recently amplifiers, digital technology has ground inexorably through the audio chain. Several companies have been developing ways to shorten the analog path or remove it entirely. Meridian's "digital" loudspeakers come to mind, as well as the amplifiers from manufacturers Spectron and TacT.

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