AXPONA 2022

AXPONA offered the public a long-anticipated first listen to prototypes of Mytek's forthcoming Empire Streamer DAC ($24,995) and Empire GaNFET class-D monoblock amplifier ($9995/each or $19,990/pair). The former, which I'll review, may be in production by Munich High End in May; the latter is expected to launch in September.

For huge sound in a huge room, you needed to look no further than the Schaumburg Renaissance Convention Center's Schaumburg F. Played at full volume, the momentous, quasi-apocalyptic opening of Richard Strauss's Also Sprach Zarathustra, aka the theme from 2001: A Space Odyssey, virtually knocked me back a row. Only the deep bass, which was eaten alive by the room's spongy air walls, suffered. Which means that the deepest organ pedals on the forthcoming superbly recorded 7-CD Strauss set from conductor Andris Nelsons (heard in 24/96) had about the same weight as on the hi-rez digital transfer of Fritz Reiner's famous RCA Living Stereo recording with the Chicago Symphony Orchestra.

My first surprise of the day came when I squeezed what I thought was Colgate from a red-and-white tube onto my toothbrush. It turned out to be hydrocortisone cream, also from a red-and-white tube.

After that, I ventured out and got my second surprise, this one considerably more pleasant. In one of the third-floor Saturday Audio Exchange rooms, I encountered a new flagship Paradigm loudspeaker, the floorstanding Founder 120H ($8499/pair).

Nothing beats starting a show on a high note. Thanks to Musical Surroundings' Garth Leerer and the Quintessence Audio dealership of Chicago, that's what happened when Charlie Byrd played magnificently on a white vinyl direct-to-disc platter from the late 1970s.

I am not making this up. During a particularly burned-out moment in the afternoon, I thought about what might deliver the breath of fresh air I needed to restore my energy and refresh my spirits. Instead of opting for green tea or a walk around the hotel, I realized that some time with Pass Labs amplification might transport back to the pastel paradise I inhabited during my time with the Pass XA200.8 class-A monoblocks.

A newcomer from Denver, Colorado, Erwin Jesudason's Sadhan Audio made its debut at AXPONA, presenting its new preamplifier, cables, and loudspeakers. Though humble and homey-looking, this minimalist system was sweetly transparent, its largish floorstanding speakers imaged beautifully and practically vanished, casting a wide, deep soundstage. Some more expensive systems lack the Sadhan Audio system's effortless reproduction and natural tone, which made a CD by Edgar Meyer, Bela Fleck, and Mike Marshall a toe-tapping wonder. (The late Art Dudley often said if a system got you bumping and dancing, it's onto something good). I could have plopped myself down in this room and never moved.

Much of the explanation zoomed by far too fast for one not trained in shorthand to record, but the surprisingly huge soundstage and impressive bass of a system variously introduced as "Everyman's Stereo" and "The Audiophile's Training Wheel System" made their mark. Streamed in 16/44.1 from Spotify, Joe Bonamassa's ""High Water Everywhere" sounded quite fine. Nor was this system shy when it came to delivering the edgy nastiness of Alice Cooper's "Welcome to my Nightmare."