CES 2018

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Jon Iverson  |  Jan 15, 2018  |  0 comments
"The 5 Series stared with Arnie Nudell in 1993 and the Genesis V," says Gary Koh, from Seattle's Genesis Advanced Technologies. "Then there was the G500 and then the G501, G5.2, G5.3 . . . Now I've given up numbers and we have the Genesis Maestro." Retail price is $30,000 a pair and they are available now.
Jon Iverson  |  Jan 13, 2018  |  1 comments
The sign up above said GoldenEar Technology, but when I walked in it looked like any normal hotel room. No big banners, black cloth draped along the walls or spotlights. And then at the far end I spotted company president Sandy Gross sitting on the couch and a single bookshelf speaker sitting on a stand. That was it.
Jason Victor Serinus  |  Jan 12, 2018  |  1 comments
dCS, D'Agostino, Wilson, Transparent, and HRS—how often have we found products from these companies making a synergistic and most musical match? As you'll learn from Jana Dagdagan's video once it's posted, Jana, John Atkinson, and I visited the spacious suite in the Mirage Hotel in which these companies paired a dCS limited edition Vivaldi 1 ($80,000 or, in the striking bright nickel finish seen in this room, $92,000) and Rossini clock ($7999); an HRS VXR rack; D'Agostino Master Systems Progression preamplifier ($22,000) and Progression stereo amplifier ($22,000); Wilson Audio Sasha 2 speaker, with Transparent Generation 5 XL cabling (approx. $50,000 total); and Transparent Reference Power Isolator ($5995).
Jason Victor Serinus  |  Jan 14, 2018  |  0 comments
Paul Barton of PSB was on hand to demonstrate the RoomFeel technology he uses in his headphones. "Headphone listeners listen to recorded music that was designed to be heard in a room," he said. Therefore, his RoomFeel technology adds a simulated room response to music.
Jon Iverson  |  Jan 15, 2018  |  3 comments
HiFiMan had two new products on display this year: one for the budget-minded, and one not.

First, for the entry level, is the new Sundara planar headphone which will retail for $499. Josselin Marvie from HiFiMan explains that "We spent some time designing this headphone to be more reliable and comfortable, so we have a new headband design which is more lightweight as well. We also have new cups, and everything has been redesigned to make the headphone last longer."

Jon Iverson  |  Jan 13, 2018  |  3 comments
For now, I'll file this one under "interesting if it were true," since I can't verify the unique claims about these cables. But the main display certainly caught my eye. You can see the sci-fi looking metal enclosures in the above photo that the Texas company's Casey Whitworth says is the Professional Series Elite Interconnect. The large metal enclosures are Faraday cages surrounding the cable "so we can pile them on top of each other and not have issues with the magnets."
Jon Iverson  |  Jan 09, 2018  |  1 comments
Pennsylvania-based distributor/exporter Dyson Lai proudly presented the gorgeous new TPC-1HP tube preamp from Seattle, Washington-based Increcable Acoustic Lab. Retail will be $6,000 when the preamp is released in the next couple months.
Jason Victor Serinus  |  Jan 15, 2018  |  6 comments
I really don't know the answer; I just know that loudspeaker company M&K says that's the case. I also know that the original Miller & Kreisel was founded in 1973 by music lovers who wanted to manufacture speakers good enough to do justice to recordings by Steely Dan. 35 years later, the company went bankrupt, and was relaunched shortly thereafter by new Danish investors who have a strong home theater orientation. For the past 10 years, the company's owner has been Lars Johansen, who spoke with me in their room in the Venetian Hotel.
Jon Iverson  |  Jan 12, 2018  |  6 comments
Discerning college dorm rooms and recording studios rejoice! JBL's famed L100 speaker from the seventies has been rebooted as the L100 Classic (left, in the photo above), which, despite the familiar look, Harman's Todd Eichenbaum says is new from the ground up.
Jon Iverson  |  Jan 13, 2018  |  0 comments
Kanto has just emerged in the market this past year with a series of three powered bookshelf speakers, a pair of subwoofers and two styles of stands. The company is based in Coquitlam, BC, Canada, and marketing manager Brett Smalley ran through the line.
Jason Victor Serinus  |  Jan 12, 2018  |  1 comments
KEF has just upped the ante on the LS50W, the wireless version of its lauded LS50 bookshelf speaker, with the release of the LS50W Nocturne Special Edition ($2499.99/pair). Engineered by KEF Head of Acoustics Jack Oclee-Brown and sporting an eye-catching design by Dutch Designer Marcel Wanders—I regret that my photo fails to capture all the graphic detail on KEF's Uni-Q driver and cabinet—the LS50W Nocturne Edition will be available on January 15.
Jon Iverson  |  Jan 15, 2018  |  0 comments
There was a brief back and forth as to whether they wanted to release information on the new cables (seen above in prototype form), but eventually Ray Kimber said yes. Kimber's Lonny Gould described these as "a carbon-infused eight wire cable." No pricing or release dates are set yet.
Jon Iverson  |  Jan 14, 2018  |  4 comments
"All products in the Heritage Series are built in the Klipsch factory in Hope Arkansas," the company's Kerry Geist begins. Klipsch has chosen to only demo the Heritage stuff here in the Venetian, with the bulk of their contemporary line back at the main convention center. And the room is quite crowded, so they clearly understand their demographic.
Jason Victor Serinus  |  Jan 11, 2018  |  7 comments
Given the dramatic drop in the number of high-end audio exhibits at CES, only two companies chose to occupy the huge, high-ceilinged suites on the Venetian Hotel's 35th floor. The first, Lamm Industries, from the quiet little hamlet of Brooklyn, NY (where John Atkinson also lives), threw caution to the winds with a system whose total retail price was $649,440.
Jason Victor Serinus  |  Jan 13, 2018  |  0 comments
VTL has finally released its long-promised TP-2.5i phono preamplifier ($3750). A completely redesigned replacement for the venerable 2.5, which was in production for close to two decades, its upgrades include shunt regulation and technology trickled down—oh, how I hate that phrase—from VTL's flagship TP-6.5 phono stage. JFET/tube hybrid circuitry is used for the MC stage, and all-tube circuitry for the MM stage. It has what VTL calls "enhanced" RIAA compensation and a front-panel-switchable filter/mono function.

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