CES 2016

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Jason Victor Serinus  |  Jan 15, 2016  |  2 comments
Aesthetix's Jim White (above right), along with the company's distributor, Garth Leerer of Musical Surroundings, showed off the new, Aesthetix Saturn Atlas Eclipse monoblock amplifier ($25,000/pair). An evolution of a product first launched 10 years ago, the Saturn Atlas Eclipse sports super-matched output devices that effectively lower noise by 40%.
Jason Victor Serinus  |  Jan 14, 2016  |  0 comments
Although the Valve Amplification Company (VAC) system at CES 2016 was virtually identical to the one I blogged at RMAF last October, save for the shrouded TV or mirror, there was a world of difference in the sound. VAC's Kevin Hayes attributed the improvement to a change in tubes in the VAC Phi 170 IQ master preamplifiers ($9900). While the tubes at the earlier show were Russian Gold Lion KT-88, here they were Chinese Shuguang KT-88SC. The sound on the Mahler 9 SACD I played at CES was very, very beautiful.
Jon Iverson  |  Jan 15, 2016  |  1 comments
The day was getting long at this point and we'd already listened to a couple hour's worth of music, but we wanted a little variety from the floor-standing speakers we had heard to far. So we popped into the Crystal Cable/Siltech room to hear This Path Tonight on a dimensionally smaller system.
Jon Iverson  |  Jan 09, 2016  |  5 comments
We'll be detailing all of the rooms that Graham Nash visited at CES in the next week, but before we get started, here's a small detour that took place about halfway through the day.
Jon Iverson  |  Jan 13, 2016  |  9 comments
Graham Nash seemed to know right away that these were the guys that provided the guts for his buddy Neil Young's Pono player and wanted to know all about it. After all, there is a version with Nash's signature on it.
Jon Iverson  |  Jan 14, 2016  |  4 comments
Chord Electronics had their suite divided into two rooms at CES, the main room as shown in the photo above and the smaller back room where all the headphone listening was taking place. Chord had their Mojo and Hugo TT DACs set up with a variety of Audeze headphones as reported earlier.

But in the main room was their latest DAVE DAC (which I'll be profiling in a later post) as well as some of their best electronics. The system was topped off with one of my personal favorites, the Vienna Acoustics The Music loudspeakers.

Jon Iverson  |  Jan 15, 2016  |  1 comments
We had spent the morning and early afternoon listening to systems in the big suites, and now it was time to downscale the room size and budget just a bit. I promised Graham Nash that we would try to mix up the types of products he heard, so we headed down to Devore Fidelity on the 30th floor of the Venetian.
Jon Iverson  |  Jan 14, 2016  |  0 comments
Though not a listening stop, we had to say hello to the guys from Mobile Fidelity including (L-R in the photo above) Rob Loverde, Shawn Britton and Jonathan Derda. Turns out Shawn has mastered some of Graham's work, so they immediately set to talking about the new album and the possibility of MoFi getting their hands on it.
Jon Iverson  |  Jan 13, 2016  |  10 comments
I'm grouping these two rooms together since we didn't listen to Graham Nash's album in either one, but rather had each host pick something out. We were getting behind schedule, so the idea was to expose Nash to some completely different speaker technologies back to back and see what he thought.
Jon Iverson  |  Jan 11, 2016  |  10 comments
After a quick mid-morning breakfast with Graham Nash that included AudioStream.com's Michael Lavorgna, we headed up to the top floor of the Mirage hotel to start our day at Philip O'Hanlon's On a Higher Note suite.

Before we walked into the room, Nash gave me a serious look and explained "What I'm looking for is that the intent of my message, the impact of the song, is communicated intact. This is the first time I've heard these songs outside of the studio, so this should be very interesting. I'm looking forward to this."

Jon Iverson  |  Jan 12, 2016  |  1 comments
We were clearly off to a good start, so I was wondering what Graham Nash's reaction would be to an all out audiophile assault.

I explained to Nash that the Vivid speakers and Luxman system we just heard were relatively compact, by audiophile standards (though by no means modest), and that the next room would be more typical of the cost-no-object approach. Judged by Graham's "impact of the music" criteria, would bigger necessarily be better, or might it detract from the musical intent he was looking for?

Jason Victor Serinus  |  Jan 12, 2016  |  0 comments
Alvin Lloyd has just introduced the handsome new Grand Prix Audio Monaco V2.0 turntable (price somewhere between $35,000 and $38,000). Set to ship in February, the turntable offers multiple advancements that can be added to existing Monaco models. "The plinth is the same, but virtually everything else is new," Alvin explained. "You can even request a platter color to match your speakers." In this case, the color of your hat or gloves really can match your shoes or, to honor the speaker analogy, your lipstick, should you so indulge.
Larry Greenhill  |  Jan 14, 2016  |  0 comments
GTT Audio has taken over the US distribution of Bruno Putzey's Mola Mola line and was showing the new, completely optioned Makua linestage. Checking all the boxes when ordering this $11,740 components adds a $2900 phono section, a $6600 DAC, or a $1890 DAC. The Makua can be controlled by the MolaMola App, shown here running on a Samsung tablet.
Herb Reichert  |  Jan 07, 2016  |  1 comments
Delta flight 2820: At 497mph the ambient noise in the cabin averaged 94dB and registered 101dB peaks. That is at least 40dB louder than a candlelit night in my listening room. Artur Schnabel brings it up to (at most) 90dB and the loudest I have ever played Led Zep on the Magnepan .7s is 102dB. Now, I can't wait to rinse that crazy engine noise from my ears and hear some clean clear beautifully toned hi-fidelity music at maybe 103dB—or more! But these clear-sounding components must be moderately priced—because I am a cub reporter and new products that cost less than $5k is the assignment I volunteered for.
Jon Iverson  |  Jan 11, 2016  |  4 comments
Before starting in on the room reports, here is a little background on how we set things up.

We wanted the best possible sound, so I asked the record label, Blue Castle (formed by Graham Nash and David Crosby), if I could have an HD copy of Nash's new album This Path Tonight straight from the mastering studio. The album was mastered in 24/96 PCM by Bob Ludwig, and the label agreed to supply the first digital copy to be played in the wild on the condition that it never leave Graham's laptop where they would place it themselves. I agreed.

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