SSI 2013

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Art Dudley  |  Mar 26, 2013  |  0 comments
I finally got to hear a mono system at SSI, but not in the manner that I or the exhibitor might have wanted. Halfway through the show, Audio Note's Dave Cope suffered the loss of one Empress Silver monoblock amplifier ($10,000/pair), apparently owing to an AC power surge. The Empress Silver, seen here alongside the outlet of infamy—and a coil of Audio Note's new Isis LX 168 copper-Litz speaker cable—is a new single-ended mono design with a 5U4G rectifier tube, a 6SN7 input tube, and parallel 2A3 triodes, for a total of 8Wpc. This was a disappointingly bad break for a company that has, in the past, won more than its share of Most Enjoyable System of the Show awards—although I must say that a mono recording of Count Basie's "88 Basie Street" was nonetheless fine when played through the surviving channel.
Robert Deutsch  |  Mar 26, 2013  |  0 comments
There was lots of vinyl for sale at SSI 2013. One of the smaller—but well-stocked— dealers was Audio Sensibility, which also sells an assortment of affordable cables.
Art Dudley  |  Mar 25, 2013  |  0 comments
In one of several rooms sponsored by Montreal’s Coup de Foudre, A href="">Philip O’ Hanlon demonstrated a system comprising a Luxman PD-171 turntable/tonearm ($6400) with Brinkmann P1 phono cartridge ($2700), Luxman DA-06 DSD D/A converter ($6000), Luxman L550AX integrated amplifier ($5400), and Vivid B1 loudspeakers ($15,000/pair), with Cardas cables throughout. (The computer-audio source was an old MacBook running Audirvana playback software.) Not to take away from the goodness of the other gear, but I was once again mightily impressed by the manner in which the Vivid loudspeakers, in spite of looking like surprised Cyclopian aliens, delivered music with such human warmth and touch. (Lou Donaldson’s organ on “Alligator Boogaloo” sounded especially fine.)
Robert Deutsch  |  Mar 23, 2013  |  2 comments
The train I took from Toronto to Montreal arrived at 2:30pm, right on schedule, so I was able to meet Art Dudley in the hotel lobby at 3:00 to discuss the game plan for covering the 2013 Salon Son & Image. As we pored over the map of the exhibits, Wilson Audio's Peter McGrath (right, with VTL's Luke Manley) came over to us and reminded Art that he had agreed to visit the Wilson/VTL room at 3:30. As it turned out, Art and I decided to cover the show geographically, and the Wilson/VTL room was going to be part of my beat, so I went along with Art.