CES 2010

Directly across the hall from Musical Surroundings, Garth and Jim White, owner and designer of Aesthetix Audio Corporation, played the same French jazz recording I had just heard. This time, the Clearaudio Innovation Wood turntable ($10,000) with TT2 linear tonearm ($9500) and daVinci v2 cartridge ($5500) did the honors. Handling the rest were the Aesthetix Rhea Signature phono stage ($7,000), part of the Saturn series and named after one of the moons of Saturn; and the same Aesthetix Atlas power amp ($8000) as used across the hall. Vandersteen Quatro Wood speakers, HRS equipment stand, Kubala-Sosna cables and Running Springs Audio power products completed the chain.

In the Laufer-Teknik room, I had the opportunity to audition the Ascendo C8 loudspeaker ($9800/pair) with stand. This three-way includes a rear-firing ribbon tweeter and upward-firing, internal woofer, and has a specified sensitivity of 88dB

My penultimate stop at THE Show, held for the first time this year at the Flamingo, was the Audience room, where they were playing a system full of new gear. Their line stage combines a relay-controlled autotransformer volume control and zero-gain active buffer. The unit has four inputs, all single-ended, and very clever switching to keep noise to an absolute minimum. Oh—it also includes a headphone amp and all of Audience's power and signal-transfer technology, in a sleek, compact package.

My last stop of the day, and of the show, was the Audio Research room. Dave Gordon showed me their new DS-650 (I'm not sure that the designator was DS) stereo amp and laughed that it was their "Magnepan amp." Yup, I agree. As I discovered when I paired a pair of MG-3.6s with Classé CAM-350s, while any competent 20Wpc amp will drive a pair of MG-3.6s adequately...any top-notch 300–400W amp will actually drive them well. Then Dave casually noted that the 650 was a class-D amp and told me to put my hand on its top. Sure enough, it was cool as a cucumber in spite of having been on and making music for several days. "The entire amp is ours, from the bottom up," Dave noted, "there's nothing standard or off the shelf in there."

Also showing in the Ayre room were their MX-R monoblocks ($9250 each) and also a Stereophile “Product of the Year” in 2007), connected to the actual samples of Vandersteen Model Seven speakers that Michael Fremer will be reviewing for Stereophile in March. The MX-R, like its KX-R brother, is carved out of a single block of aluminum and puts out 300W into 8 ohms and 600W into 4 ohms. The amps were fed by Ayre’s CX-7eMP CD player and KX-R preamplifier and the sound of the MX-R amps driving the Vandersteen Sevens was detailed and— pun fully intended— airy.

B&W's openng day press conference at the LVCC revealed an entirely new line of Diamond Series loudspeakers in a new piano-black finish. This new vintage comes from the line of monitors that included the Diamond Silver Signature ,an $18,000/pair high-end two-way that had been produced in a limited run of 1000 pairs. The smallest member of this speaker line is a two-way, stand-mounted monitor called the B&W 805 Series Diamond, a strong value at $5000/pair. The stands are extra, but are now available in black.