Stephen Mejias

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Payday Albums: 6/28/13

It’s been just over a month since my last Payday Albums post, but it feels much longer than that. I had been trying to spend less money on records, so that I could actually spend more time listening to the records that stood quietly on my shelves. A valiant endeavor, if I do say so myself, but one that didn’t really work out as intended: Instead of spending money on records, I spent money on books. I almost posted a Payday Books list, but I figured the grumpy old audiophiles would stone me for reading.

Payday Albums: 7/26/13 & 8/23/13

Julianna Barwick's new album, Nepenthe, is available now. Photo: Shawn Brackbill.

I’ve been so happily preoccupied with my review of NAD’s new D 3020 integrated amplifier that I’ve again fallen behind on my “Payday Albums” posts. My review of the D 3020 will appear in our November issue. I used many of the albums listed below as demo material for that review.

It’s been a seriously great time.

Peachtree Audio’s Grand Pre

Today, Peachtree Audio announced their new flagship asynchronous preamp/DAC, the Grand Pre, the first in a series of “Grand” products (a power amplifier and an all-in-one integrated amplifier will come later) and the first Peachtree component to have its design, final assembly, and final QC all take place in the US. For audiophiles hoping to "buy American," this should come as interesting news.

Philip Glass: Symphony No.9

I have no real foundation on which to discuss the merits or shortcomings of symphonic music&#151I’m too busy contemplating Drake, Mike Posner, and Nicki Minaj&#151but I have heard that the Ninth is considered “the cursed” symphony.

I think it begins with Beethoven, who died after completing his Ninth. Mahler, I’ve read, was so disturbed by the thought of a Ninth, that, after completing his Eight, he tried to dodge The Curse by writing Das Leid von der Erde. But, oh, The Curse can’t be so easily duped: Mahler finally completed a Ninth, but died while working on his Tenth. Gotcha! And we all know what happened to Bruckner. There are at least a dozen other examples, each disputable, surrounded by some level of uncertainty. But, hey, a curse is always good for the history buffs and storytellers. And, as much as anything else, The Curse is what got me interested in Philip Glass’s Ninth.

So, dear Curse, I thank you.

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