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Brian Damkroger ponders the Class&#233">http://www.stereophile.com//amplificationreviews/878/">Classé Omega monoblock power amplifier. "The Classé Omega is expensive, costing $25,000/pair," notes BD. But he also finds the amp a "drop-dead-gorgeous, massive, industrial-art chunk of aluminum and steel set off with a subtle mix of curves, contours, finishes, and textures." And then there is that Classé sound.

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Listening room not up to snuff? Kalman Rubinson fires up the Rives">http://www.stereophile.com//accessoryreviews/883/">Rives Audio PARC 3-Band Parametric Equalizer to see whether it can tame a wild acoustic beast. KR reports that at "low frequencies, electronic EQ can be implemented without introducing significant distortion or noise in the midrange, where the ear is most sensitive."

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In his review of the Clearaudio">http://www.stereophile.com//analogsourcereviews/888/">Clearaudio Champion 2 turntable and Unify tonearm with Benz Micro L2 phono cartridge, Paul Bolin notes, "Turntables are intrinsically cool. Maybe it's that I am of the pre-CD generation, for which the acquisition of one's first really good turntable marked an audiophile's coming of age." Bolin explains why the Clearaudio is a really good player.

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In his 1987 review of the Celestion">http://www.stereophile.com//loudspeakerreviews/892/">Celestion System 6000 loudspeaker system, Martin Colloms notes, "In the audio field, the British have traditionally thought 'small,' scoring hits both with their compact loudspeakers and with medium-priced amplifiers." MC reveals why the compact but fullrange Celestions are one such hit.

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The marque may be gone, but Proceed's">http://www.stereophile.com//amplificationreviews/897/">Proceed's PAV audio/video preamplifier is not forgotten. In 1994, Thomas J. Norton examined the breakthrough the PAV represented, stating, "It was inevitable that traditional high-end audio manufacturers would begin producing equipment for the fast-growing home-theater market."

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More from the August issue: Larry Greenhill updates his system with the Mark">http://www.stereophile.com//amplificationreviews/905/">Mark Levinson No.436 monoblock power amplifier. LG says, "I was concerned when [Mark Levinson] discontinued its entire 300 series of dual-mono amplifiers, but the company reassured me that they had a suitable replacement in the No. 436." Greenhill decides for himself.

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"At a mere $65,000," Martin Colloms states, the Wilson">http://www.stereophile.com//loudspeakerreviews/909/">Wilson Audio Specialties X-1/Grand SLAMM loudspeaker system "could be regarded as something of a bargain." MC then goes on to explain himself in great detail. The "longest, most thorough speaker review we have ever published!" notes John Atkinson, wiping the sweat from his brow.

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Anthony H. Cordesman and John Atkinson tackle the classic Vandersteen">http://www.stereophile.com//loudspeakerreviews/914/">Vandersteen 2C loudspeaker in a review from 1986. "Whenever I think of cone speaker systems, I think of three brand names: Snell, Thiel, and Vandersteen," says Cordesman, prompting JA to add, "I must say that I just don't understand how Richard Vandersteen can sell the 2Ci at a hair under $1200/pair and expect to make any money."

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