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Rogier van Bakel visits a room at AXPONA 2026 that featured a collaborative exhibit from importer and distributor Bluebird Music pairing Swiss precision with Danish craftsmanship. The system he auditioned in that room included Peak Consult Sonora loudspeakers and a stack of Orpheus Lab electronics gear from their Absolute Line.

Only a month after being scrutinized by the Senate Commerce Committee, Clear Channel Communications may have to explain itself to the Senate Judiciary Committee.

In the US market it isn't every day you see big, shiny red speakers—cars, yes—but less often flagship floorstanders. Here, a pair of tall, Danish flagships, the Audiovector R11 Arreté Titanium speakers clad in red enclosures graced the room. A model above the Audiovector R8 Arreté that Jim Austin reviewed, they use the company's Quasi Dual Drive Avantgarde Air Motion Transformer (AMT) tweeters.

Here at Stereophile we like to measure things. Part of that is because we can, of course—and that's another reason why we love the Internet. We have no way of knowing how many times our readers re-read certain articles, nor do we know how many different readers look at any given issue, but on the web, we can at least count the page views. Yes, we know that there are some uncertainties about that metric, too, but we can count it, so we do.

Our final issue of 2016 kicks off with Robert Schryer recommending that doctors tell us to "take two Grateful Deads and call me in the morning." Meanwhile, for the 26th time, Stereophile's editors and reviewers have voted for the products that impressed them most in the past year. The results are in: 60 finalists and 9 winners in 7 categories; plus for the third year in a row, a section in which everyone nominated their personal product of the year. Some of the winners could be predicted, but others come from left field!

Our July issue hits newsstands and mailboxes this weekend. Jason Victor Serinus kicks things off by asking whether CES will remain a major show for high-end audio, but occupying pride of place on the cover is Zu Audio's Soul Supreme speaker. A big paper-cone driver (with a whizzer cone) operated full-range—we all know that can't work, right. But Herb Reichert and John Atkinson found their preconceptions blown away by the sound.

Ayre's 20th-Anniversary edition of its MX-R monoblock stands proud on this 132-page issue's cover. Inside, John Atkinson finds it to be one of the best-sounding amplifiers he's auditioned, while Fred Kaplan enthuses over the sound of Simaudio's Moon Evolution 860A amplifier and Jon Iverson finds much to enjoy with Rega's affordable DAC-R. Loudspeakers from Wilson Benesch, Falcon, and Magnepan are reviewed, with the littlest, cheapest Maggie earning the highest praise from Herb Reichert.