News

Sort By: Post DateTitle Publish Date
Barry Willis  |  May 12, 2002  |  0 comments
Paul Wilbur Klipsch, legendary inventor and engineer from America's "golden age of audio," died May 5. The founder of Klipsch Audio Technologies was 98.
Jon Iverson  |  Oct 11, 1998  |  0 comments
Hilary Rosen, president and CEO of the Recording Industry Association of America (RIAA), must feel like Sisyphus playing an endless game of "Whack-A-Mole." Her job recently has been to patrol the digital world for music copyright violators, especially those pesky pirate MP3 websites on the Internet. It seems that each time they find and eradicate a horde of copyright violators, hundreds more pop up faster than you can say "information wants to be free."
Jon Iverson  |  May 21, 2000  |  0 comments
In an effort to smooth the way for websites that wish to legally reproduce copyrighted music, BMI announced last week that it has now become the world's largest online digital rights management company with the launch of its Digital Licensing Center (DLC) and "Klick-Thru" online copyright licensing system. The company says that the DLC is intended to help Internet companies digitally obtain a music-performance license through BMI.com, allowing them to publicly "perform" any of BMI's 4.5 million copyrighted works from its 250,000 songwriters, composers, and music publishers.
Jon Iverson  |  Feb 24, 2002  |  0 comments
Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A US Copyright Office panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.
Jason Victor Serinus  |  Jun 16, 2022  |  0 comments
Last year in Long Beach, PBN Audio's Peter Noerbaek was so eager to show what his humongous speakers could accomplish without distortion that he cranked up the volume far louder than the New York Subway System at its worst. As I thanked my lucky stars that I was some distance away from the huge room's doorway when the eruption occurred, a member of T.H.E. Show staff came running. "The glass walls on our office are shaking!" he yelled, as he made show policy clear. Only after that did I feel safe to enter.

This time, perhaps the fear of God or Ray Kimber's beneficent presence radiated so strongly through his Carbon, PK10 Gold, and D60 cabling that Noerbaek hung loose.

Stereophile Staff  |  Dec 06, 1997  |  0 comments
It only makes sense. PBS, the most visible national broadcaster of classical-music-related programs, has decided to launch its own classical-music label. According to a recent story in Variety, several major record labels are competing for the rights to distribute the new label. It's common in the music business for larger labels to distribute smaller ones, and an association with the new PBS label is seen as a feather in the cap of whoever makes the deal.
Stereophile Staff  |  Jan 18, 1998  |  0 comments
The Public Broadcasting Service (PBS) and Warner Bros. Records announced January 8 that they have entered into a five-year record and television program funding partnership. The arrangement launches the PBS Records label, a new venture that will fuel the production of PBS performance programs and companion recordings. In addition, PBS Records will present music soundtracks from major PBS nonfiction series.
Jon Iverson  |  Jun 03, 2001  |  0 comments
Some long-time Stereophile readers were outraged when the magazine put a photo of a computer soundcard on its cover in September of 2000 (click here for the review and controversy). And then, John Atkinson added insult to injury by doing another soundcard review last November. Some readers may have been scratching their heads about why we did it, but at least one manufacturer is getting the message.
Jon Iverson  |  Jun 17, 2001  |  0 comments
Maybe it's only fair: Consumer electronics giants like Sony have been selling personal computers lately, so computer manufacturer Compaq announced last week that it will begin selling audio products. Joining Intel in making the transition from the computer industry to consumer electronics, Compaq has now redefined itself as "a global enterprise technology and solutions company."
Stereophile Staff  |  Mar 08, 1998  |  0 comments
Several companies spanning the personal computer, communications, and consumer electronics industries announced March 4th the formation of a working group that will develop a specification for wireless communications in the home. This specification will allow PCs, peripherals, cordless telephones, and consumer electronic devices to communicate and interoperate with one another.
Jon Iverson  |  Jul 04, 1999  |  0 comments
It's been 30 years since hordes of wild-eyed music lovers converged on White Lake, a small town just north of New York City, for an event that would soon become an icon for a generation. Could anyone back then have imagined that, three decades later, Woodstock would cost $150/ticket and evolve into a marketing opportunity and website?
Art Dudley  |  Mar 31, 2016  |  6 comments
No second acts in American lives?
Stephen Mejias  |  Sep 14, 2011  |  3 comments
Today, Peachtree Audio announced their new flagship asynchronous preamp/DAC, the Grand Pre, the first in a series of “Grand” products (a power amplifier and an all-in-one integrated amplifier will come later) and the first Peachtree component to have its design, final assembly, and final QC all take place in the US. For audiophiles hoping to "buy American," this should come as interesting news.
Jon Iverson  |  Feb 02, 2004  |  0 comments
Denmark's Peak Consult is well known in the European market as a loudspeaker brand, but the company has received scant notice elsewhere. To remedy its low profile Stateside, Peak Consult reports that it has signed with Stereovox to distribute its products in the US.
Stereophile Staff  |  Oct 03, 1999  |  0 comments
Last week, Peavey Electronics and Digital Harmony announced a licensing agreement that they say aims to revolutionize audio production, music publishing, and distribution. By licensing Digital Harmony Pro technology, Peavey says it plans to create the pro-audio industry's first non-proprietary 1394-equipped digital audio products and systems.

Pages

X