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Need proof that baby boomers and their attendant interests are having an effect on the frontiers of computer research? Look no further than Triumph PC Online's announcement that it has introduced The">http://www.triumphpc.com/john-lennon">The John Lennon Artificial Intelligence Project (JLAIP), the first AI-based clone of the late Beatle.  The project, initially titled The Plastic Digital Karma Project, has been under development for two years.

We were taking our morning constitutional around the Interwebs one day last week when we happened upon an article on Timesonline titled "Why">http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music… Music Really Is Getting Louder". Oh boy, we thought, a mainstream outlet is catching on to the whole issue of dynamic compression—a subject we have inveighed against repeatedly over the years. (JA first preached that particular sermon back in 1999http://stereophile.com/asweseeit/177/">1999;.)

Consumer electronics stores have long carried computer gear, everything from laptops and desktop systems to software and accessories. Computer stores, led by Gateway Country stores, have slowly been moving in the other direction. Now it looks as if convergence in the retail realm is about to take another great leap forward.

In an effort to make computers more useful as audio systems, MusicMatchhttp://www.musicmatch.com">MusicMatch; and Xing">http://www.xingtech.com/">Xing Technology recently announced MusicMatch Jukebox, a digital audio management software program for the consumer market.

Saturday and Sunday, April 11 and 12: Fillion Électronique will host seminars on the fundamentals of computer audio, with specific focuses on digital-audio file formats and networking strategies. Saturday's seminar will begin at 10am and will be held at Fillion's Laval location (2323 Laurentides Highway), while Sunday's seminar will begin at noon and will be held at Fillion's Montréal location (5690 Sherbrooke East).

The most comprehensive seminars ever devoted to high quality computer-based playback in the home will take place at the fabled headquarters of Fantasy Studios in Berkeley, CA the last weekend of June. Entitled Computer">http://www.computeraudiophile.com/content/Computer-Audiophile-Symposium… Audiophile Symposium: From Performance to Playback, the two "identical" seminars are scheduled for Saturday, June 27 from 3–7pm, and Sunday, June 28, from noon–4pm. Admission to each seminar is $279.00.

On December 19, the Concord Music Group announced its acquisition of Telarc International Corporation, which includes the venerable audiophile label Telarc and the instrumental jazz and world music label Heads Up. Concord already owned many formerly independent labels such as Peak, Playboy Jazz, Stretch, and Concord Picante; in 2004, it acquired Fantasy Records, which encompassed Milestone, Pablo, Prestige/New Jazz, Riverside/Jazzland, Stax/Volt/Enterprise, Specialty, Takoma, and others.

Last week, www.stereophile.com posted an article concerning Pollara, Inc.'s Canadian Recording Industry Association–commissioned 144-page">http://www.stereophile.com/news/032006cria/">144-page report on the downloading habits of Canadian music consumers. We reported that the University of Ottawa's Dr. Michael Geist interpreted the Pollara data differentlyhttp://michaelgeist.ca/component/option,com_content/task,view/id,1168/I…; than the polling group did, in particular noting his conclusion that people who had downloaded music had legally purchased more music than their counterparts who had never done so.

There is a war of words—and numbers—being waged in the struggle over copyright infringement and the illegal copying of music. Downloading music is a boon to the music industry, claim some, because it leads to increased sales of CDs. Others present statistics that undeniably prove that downloading will be the death of the music business.

Federal judges have issued somewhat conflicting rulings in the ongoing legal battle over illegitimate file sharing. As the situation stands at the end of April, individuals may be held responsible for copyright violation, but the services they use in the process may not.