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Over-the-air classical music broadcasting is becoming increasingly rare, but classical has got a huge listenership on the Internet, according to a survey by rating service Arbitron">http://www.arbitron.com">Arbitron, Inc., which early this month announced that three classical music stations were among the five most listened to on the Internet.

There is no denying that buying pre-owned high-end gear can easily provide the biggest bang for the audio buck. Many of us got our first glimpse of sonic nirvana after scoring some second-hand component at a fraction of its retail price. Or perhaps you've just bought a new product and need to unload that old classic hanging out in the closet. Stereophile wants to help.

The radio industry's frenzy of mergers and acquisitions has slowed down but hasn't stopped. San Antonio-based Clear">http://www.clearchannel.com/">Clear Channel Communications Inc., one of the largest radio broadcasters in the US, has agreed to acquire AMFM">http://www.amfm.com/">AMFM Inc., another major player. The merger will give Clear Channel more than 850 stations nationwide. The deal hinges on Clear Channel unloading 72 of its stations in 27 markets to comply with Federal">http://www.fcc.gov/">Federal Communications Commission rules limiting the number of stations that can be owned by a single operator.

If a recent announcement by the nation's largest radio broadcaster is any indication of a trend, independent music promoters may be on their way to extinction.

Clear Channel Communications, the radio industry's 900-lb gorilla, may be getting too big for its britches.

Clear Channel Communications, Inc. has settled the first of what could be a long string of lawsuits over its purportedly monopolistic marketing tactics.

Artists' groups are celebrating what they hope will be more than a symbolic victory over the recording industry in the wake of legislation signed by President Clinton the last week of October. Known as "The Works Made for Hire and Copyright Corrections Act," the repeal negates a provision that was inserted into last year's "Satellite Home Viewer Act" at the insistence of the Recording">http://www.riaa.com/">Recording Industry Association of America, designating musical recordings as "works for hire." Such a designation catergorizes a musical recording as a commodity that can be purchased at a fixed price, such as a table built by a furniture craftsman, rather than as a performance subject to syndication and royalty fees.

Clogs in the snow. Photo: Tamara Bogolasky.

Saturday, March 12, 7:30pm: Clogs, Shara Worden, and the Brooklyn Youth Chorus will perform at Merkin Concert Hall (129 West 67th Street, New York). The performance is part of Merkin’s inaugural Ecstatic Music Festival. Stereophile readers who have enjoyed John Atkinson’s 2007 recording, Attention Screen: Live at Merkin Hall (available here), will be familiar with the rich, inviting sound of the space.

On December 16, Congressmen James Sensenbrenner (R-WI) and John Conyers (D-MI) introduced HR">http://static.publicknowledge.org/pdf/HR-4569-DTCSA-Analog-Hole.pdf">HR 4569, a bill "to require certain analog conversion devices to preserve digital content security measures"—in other words, to mandate that electronic devices and software manufactured after a yet-to-be-specified date respond to a copy protection system or watermark embedded in a video signal and pass that along when converting the signal to analog or vice versa. It also mandates copy protection for analog signals. This is referred to as "plugging the analog hole," since analog signals, even those converted from protected high-definition digital sources, are currently "in the clear" or open for copying. (Standard-definition signals can be protected by systems like Macrovision, but no such protection exists for high-definition signals.)

How did an almost all-Quad system, featuring the brand’s 33 preamplifier w/ phono stage ($2299) and a pair of 303 power amps ($2299/each) in monoblock configuration driving flagship ESL 2912X speakers ($26,495/pair), sound in the Codell Audio room at Montreal Audiofest 2026? Read on to find out. . .