Tonearm Reviews

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Art Dudley  |  Sep 04, 2015  |  1 comments
In a bizarre but happy turn of events, recent consumer trends have given even the most socially awkward audiophile something to talk about at cocktail parties and family gatherings at which normal people predominate: the PonoPlayer and vinyl. These are hot topics; each is among the best-sounding music sources available, and both offer hope for our hobby, if not for music lovers in general. But vinyl has the advantage of appealing to a much wider range of budgets. LPs can be had from anywhere to "We'll pay you to haul these away" to "Your loan officer is on line one." Likewise, vinyl playback hardware is available in virtually every price range, from a second-hand Dual 1229 ($50 and up) to the highly praised Continuum Audio Labs Caliburn ($200,000 and down).
Arnis Balgalvis  |  Feb 04, 1995  |  First Published: Feb 04, 1989  |  0 comments
Tonearms, like Rodney Dangerfield, never get no respect. When was the last time you heard someone actually argue the merits of a tonearm? Right, not recently. "Hey, I just got that new Gizmo tonearm!" "Oh yeah? What cartridge are you using?" People pick out the cartridge for praise and consideration time after time, while the tonearm gets taken for granted.
Michael Fremer  |  Aug 14, 2020  |  10 comments
German engineering acumen and machining excellence—acknowledged and admired worldwide—are nowhere to be seen on AMG's flagship Viella Forte turntable and new 12JT tonearm. That's because, while what's on the surface is cosmetically and mechanically well-turned, the design features and precision engineering that set AMG's turntables and tonearms apart are inside and hidden from view.
Michael Fremer  |  Mar 05, 2024  |  First Published: Apr 01, 2016  |  0 comments
"HOW MEASUREMENT FAILS DOCTORS AND TEACHERS" was the headline of a story in a recent issue of the New York Times's "Sunday Review" section (formerly called "News of the Week in Review," now rendered obsolete by the 24/7 news cycle created by and for the terminally self-absorbed). The writer, Robert M. Wachter, a professor and interim chairman of UC San Francisco's department of medicine and author of the book The Digital Doctor: Hope, Hype, and Harm at the Dawn of Medicine's Computer Age, said that healthcare and education "have become increasingly subjected to metrics and measurements," and that the focus on them has "gone too far."

To me, that headline screamed "Audio!" And the book that needs to be written is The Digital Recording Revolution: Hope, Hype, and Harm at the Dawn of Audio's Computer Age.

Michael Fremer  |  Jul 14, 2023  |  First Published: Dec 01, 2016  |  33 comments
I recently posted to AnalogPlanet.com's YouTube channel a video that compares VPI's Prime turntable and JMW 3D-printed tonearm ($3995) with Continuum Audio Labs' Caliburn turntable (ca $150,000 with arm and stand, discontinued) fitted with the Swedish Analog Technologies arm ($28,000). Both played "Braziljah," a snazzy track from the New Zion Trio's latest album, Sunshine Seas (LP, RareNoise RNR065LP), featuring guest Brazilian percussionist Cyro Baptista.

The Prime was fitted with a Lyra Helikon SL cartridge (ca $2500, discontinued), driving a reasonably priced phono preamplifier: the Audio Alchemy PPA-1 ($1795, currently under review for AnalogPlanet). Accompanying the Continuum Caliburn and SAT arm were Audio-Technica's AT-ART1000 cartridge ($5000), and Ypsilon's MC-16L step-up transformer ($6200) and VPS-100 Silver phono preamplifier ($65,000)—total cost, more than I paid for my first house, in 1992.

Michael Fremer  |  Mar 10, 2023  |  First Published: Mar 10, 2017  |  7 comments
The ability to fine-tune a vinyl playback system is part of what makes it possible to combine an archaic technology with modern thinking and materials to create musical magic, and take listeners to new heights of ecstatic musical pleasure. It's why so many young people are tuning in to vinyl, and helps explain why just today, as I write this, it was announced in the UK that, for the first time, revenues from sales of vinyl exceeded those from downloads.
Michael Fremer  |  May 10, 2022  |  First Published: Jan 01, 2018  |  65 comments
It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.
Michael Fremer  |  Dec 07, 2021  |  First Published: Jun 01, 2018  |  11 comments
Why am I once again falling down the rabbit hole of alternating current? A while back, I committed to listening to SMc Audio's AC Nexus power conditioner, designed by SMc founder Steve McCormack and distributed by dealer Hi Fi One.
Michael Fremer  |  Nov 09, 2021  |  First Published: Jul 01, 2018  |  2 comments
Bergmann Audio (footnote 1) launched its first turntable—the Sindre, which featured an integrated tonearm—in 2008. The Sindre's acrylic platter and tangential-tracking tonearm both floated on air bearings; it had an outboard motor controller, a separate air pump for the air bearings, and cost $21,000.
Michael Fremer  |  Aug 09, 2021  |  First Published: Oct 01, 2018  |  7 comments
Despite one website's recent claim that "Vinyl's Revival Is Already Fading," Nielsen SoundScan recently announced that vinyl sales for the first half of 2018 were up 19.2% over 2017, led by Jack White's Boarding House Reach, with 37,000 copies sold so far (and we know that N/S misses a great deal of the action). While on the West Coast looking for business, a friend of mine who's about to open a major vinyl-pressing plant on the East Coast was told by everyone that they're experiencing "double-digit vinyl growth." No one was seeing a slowdown ahead.
Michael Fremer  |  Aug 03, 2021  |  First Published: Nov 01, 2018  |  9 comments
Technics' sudden decision, in October 2010, to stop making its iconic SL-1200 direct-drive turntable, then in its MK6 iteration, took vinyl fans by surprise. At the time, although sales of vinyl and turntables for home use were surging, their use in clubs was falling as DJs moved to the digits. According to Technics (a division of Panasonic), production of the SL-1200 was stopped not because professional sales dropped, but because the factory tooling for manufacturing them had worn out, and retooling wasn't cost-effective.
Michael Fremer  |  Jul 06, 2021  |  First Published: Dec 01, 2018  |  3 comments
Turntable manufacturer VPI Industries is about to celebrate its 40th anniversary. Despite analog playback's ups and downs (pun time), VPI has managed not only to survive but to prosper and grow, thanks to a smart product mix that includes high-value, wet-wash/vacuum-dry record-cleaning machines that perhaps took up the revenue slack when, in the mid-1990s, interest in new turntables dipped—but the vinyl faithful still had millions of dirty records to keep clean.
Michael Fremer  |  Jun 08, 2021  |  First Published: Jan 01, 2019  |  2 comments
How do you like your tangential-tracking tonearm: with a captured air bearing? If so, a stationary bearing and moving rail—or a moving bearing and stationary rail? A hovercraft-style air bearing? Trolley-wheel or servo-mechanical bearing? Or pivoted, with some kind of offset at the pivot or the headshell—or both? In today's crowded market of analog playback, you can buy whatever type of tangential tracker you prefer, from Bergmann, Clearaudio, Kuzma, Reed, Schröder, Thales, and others.
Michael Fremer  |  Mar 09, 2021  |  First Published: May 01, 2019  |  37 comments
For a phono cartridge to generate current and voltage, something must move: a coil of wire (as in a moving-coil cartridge), or a magnet (as in a moving-magnet type), or a tiny piece of iron (a moving-iron type). In those rare cartridges that depart from the electricity-generating principle of the ones described above, it can be a displacement-measuring device in which a moving shutter modulates a light source to vary a supplied voltage (as in an optical cartridge), or one in which voltage is modulated when a tiny chip of silicon crystal is squeezed by a moving element, which varies the chip's electrical resistance (as in a strain-gauge cartridge). But regardless of what it is that moves in a cartridge, something has to.
Michael Fremer  |  Nov 12, 2020  |  First Published: Jan 01, 2020  |  17 comments
Judging by VPI's new HW-40 direct-drive turntable, middle age well suits the company that Harry and Sheila Weisfeld started 40 years ago in their Howard Beach, Long Island, basement.

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