Integrated Amp Reviews

Sort By: Post DateTitle Publish Date

Technics SU-G700M2 integrated amplifier

When I reviewed Technics's SU-R1000 integrated amplifier for the December 2021 issue, I found its performance beyond my expectations. It practically rewrote the ritual of listening to music on my home hi-fi. With its wealth of technological advancements, significant user options, and clear, three-dimensional sound, it cast a large sonic shadow over the other integrated amplifiers in my possession.

Technics SU-R1000 integrated amplifier

Technics, an arm of the Japanese giant Panasonic Corporation, has long been a major player in the hi-fi world, even if, in some recent decades, it stayed below the radar.

In the 1970s, analog-centric audiophiles particularly praised the Technics SP-10, the world's first direct drive turntable. Created by Matsushita engineer Shuichi Obata in 1969, the SP-10 and its successors became the standard in vinyl playback for American radio stations during that heyday of broadcast radio.

The January 2025 FollowUp Roundup

While there haven't been any follow-up reviews in recent issues of Stereophile, the January 2025 issue features further coverage of two one-box solutions that were reviewed in 2024—the Hegel 400 streaming integrated amplifier and the T+A R 2500 R multi-source receiver. All the user needs to do to create a complete audio system is to couple one of these products with a pair of passive loudspeakers.

The Mission System

Since its founding just over ten years ago, Mission Electronics has grown to become one of the largest "real" hi-fi companies in the UK. Although their product line originally consisted of three relatively conventional loudspeakers, it rapidly grew to encompass high-end pre- and power amplifiers, cartridges, tonearms, and turntables, and, in the mid 1980s, a system concept based on CD replay and relatively inexpensive electronics: the Cyrus amplifiers and tuner.

Three FollowUp Reviews

Stereophile often subjects products that have been reviewed to further coverage: sometimes because there was an aspect of performance that needed further investigation; other times because there was a controversial finding. Three recent followups concerned the Ayre Acoustics EX-8 2.0 Integrated Hub amplifier that Ken Micallef reviewed in the November 2021 issue; the Accuphase DG-68 Digital Voicing Equalizer that Jason Victor Serinus reviewed in August 2021; and the Zesto Leto Ultra II line preamplifier that Ken Micallef reviewed in February 2021.

Triode Lab 2A3 EVO integrated amplifier

For 16 years, I bled jazz. Countless hours alone in my practice shed, honing technique, recording myself for brutal self-analysis, dissecting and transcribing master drummers' solos note for note. My dream was to transcend technique, to exist in a state of pure reaction among musicians in perfect communion, where improvisation flows as effortlessly as thought.

The years melted away—George Lawrence Stone's sticking variations, Benjamin Podemski's concert drum solos, dog-eared "Real Book" charts, college big band concerts, smoky jam sessions, a basement practice routine that nearly deafened Mom. Once I was in NYC, there were classes at Drummer's Collective.

With intense application, playing became rote. But in rare moments of surrender, it wasn't me playing the music anymore. The music played me—ideas transmitted effortlessly, without thought, guided by some unseen force: maybe the woman in the third row, maybe the ghost of Tony Williams. In such moments, when fatigue stilled the mind, instrument and music intertwined, a single entity responding not to conscious thought but to some unknown, unknowable force. What ensued was beyond my mental reach.

Advertisement
Advertisement
Advertisement