Budget Component Reviews

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Herb Reichert  |  Dec 30, 2014  |  16 comments
I was sitting in my high chair, eating strained peas. My father was walking around the kitchen with a wooden box in one hand and a cord with a plug in the other. The box and the cord were attached to each other. I was inspired to utter my first actual sentence: "Plug it in over there!" Moments later, a man with a disturbing voice began squawking from inside the wooden box. It was a radio. Schnapps, our dachshund, barked angrily. I started to cry. Ever since, I've been charmed, fascinated, and mostly annoyed by wooden boxes that talk to me.
John Atkinson  |  Sep 09, 2006  |  0 comments
As readers of the Stereophile eNewsletter will be aware, the twin subjects of distributing music around my home and integrating my iTunes library of recordings into my high-end system have occupied much of my attention the past year. I bought an inexpensive Mac mini to use as a music server, using an Airport Express as a WiFi hub, which worked quite well, but my big step forward was getting a Squeezebox. I described this slim device in the mid-March and mid-April eNewsletters; I urge readers to read those reports to get the full background on this impressive device. In addition, the forums and Wiki pages on the Slim Devices website offer a wealth of information on getting the most from a Squeezebox.
Larry Greenhill  |  Apr 05, 2008  |  First Published: Oct 05, 1991  |  0 comments
One question posed by John Atkinson at the July 1991 Stereophile Writers Conference had to do with the ease of reviewing: Is it harder to write a bad review of an expensive product than a good review? I find it hardest to write a good review of an inexpensive product. If I admire a less expensive loudspeaker, for example, it may become a recommended component, and can displace a more expensive speaker (that received mixed comments) from our twice-yearly rankings. This can be a big responsibility; even a conditional rave of a low-cost product means that JA may assign another Stereophile reviewer to do an immediate follow-up report. The Snell Type E/III loudspeaker may be a good case in point.
Robert Harley  |  Apr 01, 2007  |  First Published: Jan 01, 1991  |  0 comments
In some ways, building an inexpensive yet musical two-way loudspeaker is a greater design challenge than creating a cost-no-object reference product. Although the latter is a much more complex endeavor, the venerable two-way box seems to bring out the creativity and resources of the designer. Rather than throw money at the product in the form of more expensive drivers, enclosures, or components, the designer of a low-cost two-way is forced to go back to the basics, rethink closely-held tenets, and rely on ingenuity and sheer talent to squeeze the most music from a given cost. Consequently, the inexpensive two-way is the perfect vehicle for designers to develop their skills. If one has mastered this art form, one is much more likely to achieve success when more ambitious designs are attempted.
John Atkinson  |  Sep 17, 2006  |  First Published: Oct 17, 2006  |  0 comments
Don't get the wrong idea. I don't watch trash TV. I am not interested in the doings of people who are famous merely for being famous. I was probably the last to realize that Paris Hilton was not the name of a French hotel. But the kitchen TV just happened be tuned to Channel 4 when I switched it on while I was preparing dinner. No, I do not watch NBC's Extra, but as I was reaching for the remote I was stopped in my tracks by what I saw. The show was doing a segment on the new L.A. home of Jessica Aguilera, or Christina Simpson, or . . . well, it doesn't matter. What does matter was the host's mention of all the cool stuff the bimbette had had installed in her new pied-à-terre: "...and a Sonos audio system, of course."
Art Dudley  |  Jul 18, 2008  |  2 comments
My home, which overlooks a dairy farm, is easy to see from a mile away, invisible from the end of its own driveway. Elevation: 1345'. Population: 3.
Larry Greenhill  |  Nov 03, 2001  |  0 comments
Sony describes the $700 TA-P9000ES as "a pure audio multichannel preamplifier equipped with two inputs for 5.1 analog multichannel audio sources, enabling selection, volume control, and amplification." A relay with twin gold-plated crossbars switches the two six-channel sources. Then follows a class-A solid-state push-pull amplifier in discrete configuration. Separate transistors, resistors, and capacitors populate the printed circuit boards. An oxygen-free copper shield surrounds each channel to prevent crosstalk between the channels. In addition, there is a relay-controlled gain stage offering 0, +6, and +12dB amplification.
Michael Fremer  |  Apr 25, 2008  |  0 comments
The audio industry may have lost a legend and a prolific innovator in Henry Kloss a few years back, but it still has another affable, creative eccentric in Peter Ledermann. In the mid-1970s, Ledermann was director of engineering at Bozak, where, with Rudy Bozak, he helped develop a miniature bookshelf speaker and a miniature powered subwoofer. Before that, Ledermann was a design engineer at RAM Audio Systems, working with Richard Majestic on the designs of everything from high-power, minimal-feedback power amplifiers and preamplifiers to phono cartridge systems. He was also an award-winning senior research engineer at IBM, and the primary inventor of 11 IBM patents.
Lonnie Brownell  |  Nov 13, 2015  |  First Published: Dec 01, 1995  |  0 comments
Tricker tweets? I know, Halloween has already come and gone, but I just had to use that because this little speaker has a trick about its tweeter. The Spectrum Audio 108cd is constructed of ¾" MDF for the baffle and ½" MDF for the sides, with a very–high-quality black ash vinyl covering all the way around. (A brown ash finish is also available.) Rapping on the cabinet results in a hollow bonk, rather than a solid thud.
Larry Archibald  |  Jun 11, 2021  |  First Published: Sep 01, 1982  |  4 comments
This is a speaker we've been fairly intimate with over quite a period of time. Designed by John Bau, the SC-50i started out three years ago as an inexpensive speaker system ($330/pair) not sold through dealers.

One of the factors allowing it to cost so little was the clever adaptation of cardboard tubes, normally used as forms for pouring concrete pillars, for use as speaker enclosures. They have a number of advantages, other than low cost: their circular form helps eliminate resonance of the back wave within the enclosure; the material is rigid because of its shape, and is non-resonant due to its construction.

Anthony H. Cordesman, Various  |  Mar 11, 1998  |  First Published: Feb 11, 1984  |  0 comments
High-quality, low-cost loudspeaker systems are not an everyday blessing. The Rogers LS3/5a has survived for more than a decade precisely because so few US manufacturers sought musical accuracy as distinguished from high output and powerful bass. The economics of loudspeaker manufacture also don't lend themselves to economy. The cost of woodwork is driving the price of speakers up almost as fast as the cost of sheet-metal work is escalating the price of electronics.
John Atkinson  |  Feb 25, 2007  |  First Published: Dec 25, 1994  |  0 comments
As far as I can tell, Santa Fe–based speaker engineer John Bau had designed but four commercial loudspeakers before the TC-60 was launched at the 1994 Winter CES: in order of appearance, they were the Spica SC50i (1980), the TC-50 (1983), the Angelus (1987), and the SC-30 (1989). None were expensive, and all garnered much praise, both in Stereophile's pages and elsewhere.
Corey Greenberg  |  Jul 07, 2021  |  First Published: Apr 01, 1993  |  5 comments
In these waning days of Analog's Last Stand, it might seem absurd to review midpriced phono cartridges when this space could be given instead to the gear Stereophile usually covers—like $3000 OTL tube amps built by guys like that "Rainbow Man" lone nut who used to dance in the stands at Super Bowls before he took hostages in a hotel room with a .45 screaming, "MIT CAPACITORS!!! MIT CAPACITORS!!!"
Sam Tellig, Anthony H. Cordesman  |  Sep 08, 2016  |  First Published: Mar 01, 1985  |  4 comments
Superphon's Revelation Basic preamplifier is made by Stan Warren, formerly the "S" of PS Audio, so it should come as no surprise that the Revelation Basic and the PS Audio Source sound much alike. The Revelation Basic sells for $399, assembled (no kit available). Like the Source, the Revelation has an outboard AC power transformer to minimize hum problems. But unlike the Source, the Revelation has dual volume controls (a pain) and lacks moving-coil capability.

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