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Before beginning any measurements, I connected the Kii Control unit to one of the loudspeakers and installed the Kii Home app—v.1.1.27 (build 60)—on my iPhone. When I powered up the speaker, the app found it via Bluetooth, and it allowed me to connect the speaker to my Wi-Fi network. I then connected my MacBook Pro's USB port to the Control unit. Apple's AudioMIDI utility revealed that its USB port accepted 32-bit integer data sampled at all rates from 32kHz to 384kHz. The USB Prober app identified the Kii as "Kii Control" from "Kii Audio GmbH" with the…

Octave Audio of Karlsbad, Germany, a longtime manufacturer of tube electronics, presented the North American debut of its new Octave Jubilee Class A mono amplifier ($85,000/pair; go here for more info) at Definitive Audio in Bellevue, Washington, (across the lake from Seattle) on January 29. The first stop in a three-city US tour by Andreas Hofmann, company president and designer, and John Quick, VP Sales & Marketing for Octave’s US distributor, Dynaudio North America, the multi-day event included two back-to-back sessions followed by open houses. Days…

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band's hallowed recording catalog are unending. To be fair, potentially changing the band's sonic profile to something more "modern" was always a no-win proposition, with zero chance of pleasing…

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the "As We See It" space. It was titled "On assessing sonic illusions," and it has haunted me for more than a year. Jim's thesis was that a music recording is a "synthetic, whole-cloth creation ... a complete fabrication." He writes: "Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred."

When it came to rock and pop and…

So it was with a little trepidation that I asked to review the hybrid Doshi Audio Evolution Stereo Amplifier ($24,995), a push-pull, hybrid solid state/tube amplifier that operates its first 50Wpc in class-A into 5 ohms, up to 65Wpc in class-AB. The amp…

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

The Hot Club of New York
Matthew Rivera's Hot Club of New York is on the third floor of an old commercial building at 20 W 20th Street, across from what used to be the Limelight Club (footnote 1). The walk from the F Train at 23rd Street generated a Rolodex of memories from watching this neighborhood evolve…

Formerly unknown French singer-songwriter Stéphane Schück is back with the second album from his Salt Collective. A lifelong fan of North Carolina power pop legends The dB's, Schück has teamed up with former dB's Chris Stamey (guitars/vocals) and Gene Holder (bass) and longtime North Carolina rock-pop kingpin Mitch Easter (keys/guitars).

With basic tracks recorded in Easter's Fidelitorium…

Nick Doshi, accompanied by Jessie Bentley of Virginia dealer Command Performance AV, picked up the Doshi Evolution Stereo amplifier from Ken Micallef's Greenwich Village apartment and delivered it to me in Brooklyn. They carefully installed the eight numbered Electro-Harmonix 6CA7-EH output tubes, then Nick briefed me on his design philosophy and how to operate the various buttons and switches. As I did with the similar-looking Evolution Monoblock amplifier that Jason Victor Serinus reviewed in May 2021, I left the amplifier powered up for 45 minutes before I…