SVS Sound's Larry McGough and Orchard Audio's Joyanto (Joe) Goswami and Leonid (Leo) Ayzenshtat were at Capital Audiofest (CAF) to show several SVS-supported systems.
Room 628 featured a Marantz AV7706 A/V processor ($3200) and Orchard Audio amplifiers including the Starkrimson Mono Ultra Premium ($2600) and Starkrimson 25 Mono Premium ($1250).
SVS speakers and subwoofers were in ample supply, including the Ultra Evolution Tower ($1500), Ultra Evolution Center ($800), Ultra Evolution Nano ($450), Ultra Evolution Elevation ($450), and SB-5000 R|Evolution subwoofer ($1800…
My fondness for Greg Roberts's Volti Audio loudspeakers has been documented in reviews of the company's Rival and Lucera speakers.
Roberts's CAF room sounded excellent. His system included a WiiM Ultra configured in bit-perfect mode as a dedicated music server with a Teddy Pardo Audio external power supply ($945); a Mojo Audio Mystique Z DAC ($11,000); and a Cary Audio SLI-80 integrated amplifier ($5495) driving a pair of newly revised Volti Audio Vittora loudspeakers ($50,000/pair). Cabling was from Triode Wire Labs.
The Vittora is a three-way, fully…
"None of the amps I build are better than the others," Justin Weber of Ampsandsound told me not long after we met. "They are just different." I may have smirked inwardly. According to his company's website, Weber makes no fewer than 23 amplifier models, many capable of driving both headphones and speakers, ranging from the $2700 Kenzie OG to the $38,000 Arch Monos. Are they really all equally good? I wondered. Surely this was just a clever Buddhist ploy to distract us from some of his amps' high prices. Doesn't the extra $35k spent on the Arch Monos buy you something more desirable than the…
While I was coming to grips with this month's review subject, the idler drive Garrard 301 Advanced, I began to think about the various methods that have been used to spin turntable platters over the years. Since the transition a century ago from wind-up clockwork to electric motors, there have basically been three ways to spin a turntable platter: idler drive, belt drive, and direct drive. True, there have also been a few designs that go their own unique ways, such as the rare, water-driven Oasis made by David Gillespie of Saturn Audio in the late 1970s and the gear-driven H.H. Scott 710 I…
Definitive Audio of Bellevue, Washington (near Seattle), one of the premier dealerships in the Pacific Northwest, continued its 50th anniversary celebration with a September event it called "Icons and Innovators." Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions on the afternoon of September 18.
JBL/D'Agostino/dCS/Clearaudio
My first stop was at the first showing of JBL's Summit Makalu loudspeakers ($60,000/pair). The speaker's name derives from…
The keyboard player looked at his watch. It was midnight. "Time for my break," he said. My heart sank. Thirty years ago this month, I was playing bass guitar at a "gentlemen's club" in London's Charing Cross Road. Our trio provided second-rate music for third-rate strippers and fourth-rate comics to an audience drinking fifth-rate wine at first-rate prices, six days a week from 9pm to 3am, with two 30-minute breaks. The money was okay, and the work hadn't sounded too arduous when I'd responded to the classified ad in Melody Maker (now, sadly, defunct). But, as I was to find out, only one…
I Can't Give Everything Away is the sixth and last of the Bowie box sets that survey specific periods in the artist's career. The first was Five Years 1969–1973, released in September 2015. That was followed by Who Can I Be Now? (1974–1976), A New Career in a New Town (1977–1982), Loving the Alien (1983–1988), Brilliant Adventure (1992–2001), and finally the new set. Together, the six sets are an impressive testament to a musical giant—a heavyweight tribute figuratively and literally. You could use this last installment to pump up your biceps.
I Can't Give Everything Away is named after…
Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album. Released on Atlantic Records in 1969, Lotti Golden's Motor-Cycle was wildly experimental and ahead of its time. Seemingly poised for success, the album and her career suddenly vanished.
Often described as "Motown meets the Velvet Underground," Motor-Cycle, which has…
For the past few months, I've been getting ready to move. Those of you who've looked for an apartment in New York City know that it may be the single most dismal thing about living here. Imagine spending months online, looking at "digitally staged" photos of dark, cramped, cheaply renovated apartments where you can hardly believe anyone would consent to live, all offered at prices that, elsewhere, can get you a Greek Revival manse with four acres of rolled lawns. To wade through these listings is also to partake of some of the most godawful words in the English language, all designed to make…
One of my foundational memories of becoming an audiophile was waiting to listen to a pair of speakers at Sound by Singer in Manhattan. Perhaps a more apt verb is loitering, because I was in my mid-20s and always felt on the verge of being thrown out. The store was patronized mainly by affluent-looking men in suits, and from time to time I'd see Jonathan Scull, the famous Stereophile reviewer, sweep into the place and step into a listening room as though it were his den. That afternoon, a salesman was demonstrating a pair of inexpensive speakers for a middle-aged customer who'd shown up before…
