CES being quite hectic and hotel rooms being what they are, I try not to do too much listening on the 29th and 30th floors of the Venetian (there are exceptions and the upper suites are a different story, sound-wise). But Vincent Galbo in the MSB room on floor 29 politely insisted I listen to the new Select DAC on the YG speakers they had set up, driven by MSB amps. He played a CD and it was some of the best sound I've ever heard at a show!

One of my favorite new digital products, from an industrial design point of view, is the new all-in-one system from French company Micromega, designed by Daniel Schar. Assuming you have a nice flat place to put it (flat or on a wall), you can request a custom finish or go with standard black or bright orange as shown in the photo.

Audio Alchemy was relaunched again in 2015 with a stellar lineup of designers including Keith Allsop, Peter Madnick and Dusty Vawter. And it appears no expense was spared showing their product line up at CES. Occupying one of the larger suites, with co-exhibitor TAD, at the top of the Venetian only served to emphasize how compact the products are.

I've recently had a great run with Chord products in my system including the Hugo TT DAC and now the small-sized Mojo (mobile joy) headphone DAC. On the opposite end of the spectrum from the Mojo is DAVE which the company says is the most advanced DAC they've made so far.

The new Aurender A10 should be arriving this summer for approximately $5,000 and should cover just about all of your digital file playback and streaming needs. Inside will be a 2TB drive for storage and 120GB SSD cache to improve playback quality, with Tidal native as well.

On the back are both balanced and unbalanced analog outputs and USB, Ethernet and optical digital inputs. Formats handled include PCM up to 32/384 and DSD128.

Here are a couple photos of the two products in the Lenbrook (distributors of NAD, PSB and Bluesound) suite that included MQA. Above is the Bluesound Vault 2 streamer and CD file ripper ($1,199) and below the NAD M12 Preamplifier/DAC ($3,499). Both units on display include the necessary firmware and software to decode MQA files.

Aesthetix's Jim White (above right), along with the company's distributor, Garth Leerer of Musical Surroundings, showed off the new, Aesthetix Saturn Atlas Eclipse monoblock amplifier ($25,000/pair). An evolution of a product first launched 10 years ago, the Saturn Atlas Eclipse sports super-matched output devices that effectively lower noise by 40%.

Boldly proclaiming that its new the Renaissance ESL 15 A ($24,995/pair) combines a 45" x 15" electrostatic transducer with dual 12" aluminum-cone woofers, dual 500W woofer amplifiers, bass and mid-bass level controls, and Anthem room correction, MartinLogan proceeded to mate it with excellent Constellation Audio amplifiers and MIT cabling.

"It's the only loudspeaker under 6 figures with a beryllium midrange diaphragm," Paradigm's Erin Phillips told me about the Paradigm Concept 4F (price not set, but expected to be under $40,000/pair), a speaker that has been forthcoming since last May's Munich High End, and probably won't arrive until late summer/fall 2016. The Canadian-crafted, full-range loudspeaker combines four powered 8.5" woofers—two front-firing and two rear-firing in "vibration-cancelling configuration"—with passive TruExtent® 1" beryllium-dome tweeters and 7" midrange drivers.

Now this is an interesting one. Using the same Dan D'Agostino Momentum monoblocks ($65,000/pair) as in the Wilson Alexia/dCS suite in the Mirage, albeit with the new case work; the same dCS Rossini player ($28,499) and Rossini Clock ($7499) as in that room, and whose sound I know quite well because I've spent considerable time with the player in my own listening room; an even higher Opus level of Transparent Cabling than in the Wilson/dCS suite; and the not too shabby Dan D'Agostino Master Audio Systems Momentum preamplifier ($32,000), EgglestonWorks' Ivy Signature SE Reference Series loudspeakers ($155,250/pair) made an entirely different impression.