It felt like a homecoming, albeit a strange one—in that just as I began to sink into or groove on what was playing, the track abruptly shifted to another. Such demos, alas, always strike me as more about sound than music. Even with that reservation, the sound on Camo & Krooked's "Witch Doctor" and Hugo Barriol's "Hold My Hand" was sufficiently engaging to make me wish I could have heard far more.

The high-end audio world, with its shiny boxes and astronomical price tags, often gets a bad rap. People dismiss it as a playground for the wealthy, a place where form trumps function. But Jeff Fox, the mastermind behind Command Performance AV, isn’t buying it. He’s here to prove that high-end audio isn’t just about showing off; it’s about experiencing the blood, guts, and beauty of music. If the prices start to rise, at least you were warned.

Bending Wave’s Elliot Goldman and Tone Imports’ Jonathan Halpern brought a change of pace to the Jackson Suite, with not one or two but eight US debuts for the rowdy Capital Audiofest (CAF) crowd.

Faces at the BBC, Complete BBC Concert & Session Recordings 1970–1973
Rhino R2726026 603497827824 (8 CDs/1 Blu-ray). 2024. Rob Caiger, prod.; Nick Robbins, Dave Corbett, engs.
Performance *****
Sonics ***½

The record business was awash in money and power. Vinyl LPs were still five bucks, and while the pressings could be suspect, the music-buying public still snapped them up en masse. Even in that world of gatefolds, inserts, and textured covers, Faces' Ooh La La remains an impressive sleight of hand. Made up of remnants from two other bands—The Small Faces and The Jeff Beck Group—the band's five colorful louts could have been musical world-beaters, but in the end were more interested in having a good time.

One of the showpiece rooms at Capital Audiofest 2024 was the Matterhorn Audio Group demo in Plaza 1, which is essentially a small ballroom. The rarefied systems shown were up to the task of filling the spacious room with beautiful music.

True Source Audio Distributors debuted the massive G.I.P. Laboratory 4165 field coil horn-loaded loudspeakers at CAF, featuring the Japanese company’s replicas of the original Western Electric 4165 driver. The 70lb G.I.P. 4165 Radiata pine cabinets filled nearly half of the small Hilton room. G.I.P.’s TW 38 tweeter sat atop the large cabinets.

Bruckner: Symphony No.4 "Romantic", Anima Eterna Brugge/Pablo Heras-Casado; Brahms: Concertos for Piano and Orchestra Nos.1 & 2; Works for Solo Piano Opp.116–119, Igor Levit, piano; Wiener Philharmoniker, Christian Thielemann, cond.; Dvorák: Symphonies Nos.7–9; Nature, Life, And Love, Czech Philharmonic/Semyon Bychkov; The Kurt Weill Album: Symphonies Nos.1&2; The Seven Deadly Sins, Konzerthausorchester Berlin, Joana Mallwitz, cond.; Katharine Mehrling, vocals.

Will Kimbrough: For the Life of Me; Goat Girl: Below the Waste; Deep Purple: =1; Wand: Vertigo.

Fidelis Distribution’s Walter Swanbon plays the long game. Like other legacy manufacturers—think Audio Note, Tannoy, Audio Research—Swanbon’s equipment offerings are classics: some in waiting, some long established as leaders.

Giovanni Guidi: A New Day; Jordina Millà/Barry Guy: Live In Munich; Neta Raanan: Unforeseen Blossom; Misha Tsiganov: Painter of Dreams.