Got Cash? Magico, D'Agostino, Antipodes, Wadax, Telos, and Vyda Build a $2M Temple of Tone

Among the many systems at AXPONA 2025, Magico’s claimed the triple crown: most expensive, most imposing, and most sonically impressive. Entering the hushed, curtained-off, two-story Club Room felt like crossing into sacred space.

Magico didn’t provide prices for most products, but the company’s Peter Mackay (pictured) estimated the system's cost at over $2 million. Center stage stood the 1000lb Magico M9s ($750,000/pair), powered by D’Agostino Relentless 800 monoblocks ($195,000/pair) for the woofers and Relentless Epic 1600 monoblocks ($349,500/pair) for the mids and highs. The scale of the presentation nearly distracted me from the Vyda Laboratories cables (around $10,000 for an 8’ pair).

The racks also held a D’Agostino Relentless preamplifier ($151,000 with the new remote), an Antipodes Oladra music server ($29,000), Wadax’s full Atlantis Reference stack—server, transport, and DAC, $350,000 total—plus Telos Audio Design’s Earth Grounding Monster and Power Station ($48,500 and $108,000 respectively).

I’ve played Boris Blank and Malia’s “Celestial Echo” (from their Convergence album) countless times, but the size and scale here—especially the deep, articulate bass—was staggering.Those seismic low notes felt in perfect proportion to the frequencies above, enhancing rather than overpowering the rest.

“Dindirindin,” a pristinely recorded a cappella track by Calmus Ensemble Leipzig, stopped me cold. The voices felt vivid, suspended in black. Every detail was revealed, but nothing sounded analytical. This was one of the most organic-sounding systems I’ve encountered.

Ben Webster’s “How Long Has This Been Going On?” reminded me that it was time to move on. I would’ve loved to linger, but duty called.

COMMENTS
teched58's picture

I appreciate the editorial honesty.

JohnnyThunder2.0's picture

with his irrational jealousy. Under truth serum he would admit to coveting all the high priced equipment that he sh-ts on here. Does your wife ever read Vogue? Do you turn off the TV when you see ads for Mercedes? The aspirational is present in this hobby as it is with wine, food, comic books, home theater equipment, cars, watches, clothing, houses...You sound like a cranky complaining ass-wipe. A broken record of relentless negativity.

PJC's picture

By next year (month?) this system will be old news and the owner will need to update/replace the whole lot in order to "stay on top". I'd have to rebuild my whole house to properly accommodate such a leviathan, LOL.

I wonder are the amps listed correctly? Would the DD1600's be on the subs and the DD800's on the mid/high?

Glotz's picture

Do you crap on Ferrari and the best vehicles money can buy?

Nope...

Jealousy reigns instead.

Anton's picture

"Entering the hushed, curtained-off, two-story Club Room felt like crossing into sacred space."

I get it, we are all fanboys up to some point. Some people just hit the 'bullshit threshold' sooner than others. Not 'jealousy,' more bullshit fatigue.

Ferraris, wine, jewelry, Hi Fi....I admit to having seen enough of the LVMH Audio Crowd this past decade.

Again, not jealousy, I would not hand them my money of I were an oligarch. The veblen Hi Fi world is just giving too much of a 'don't look behind the curtain' vibe these days.

For fun, watch these people on the videos when they are asked about prices. You can see the last vestiges of shame left in them flicker right as they start to answer.

Glotz's picture

An high-end auto show was conducted in Mongolia.

Snobbery in audio is nothing new.

Let's not throw out the baby with the rose-petal littered, perfume-infused bath water.

The State of the Art has a place in every endeavor.

I missed this room this year and I am still fucking pissed.

PJC's picture

Agreed, there is a point where it all starts to get a bit/very ridiculous.

"Jealousy" is likely the true sentiment of the other guy who is ALWAYS on here correcting others or just trying to put them down. It's amazing, he never misses an opportunity for making a "put down".

FWIW, YES I do crap on Ferraris even though they're pretty cheap beside this pile of stuff.

DaveinSM's picture

I love this answer.

Well written, Anton.

AMG-BENZ's picture

I feel confident that they only need to sell one unit of each to cover all of their individual R&D, tooling and manufacturing costs. Different strokes for different folks.

JohnnyThunder2.0's picture

covers their R&D. A very cynical take on it. How do you know how many hours went into these products?

sw23's picture

$1 billion is $1000 million. Spending 0.1% of your net worth on a state of the art audio system doesn’t strike me as irrational. But on a deeper level it says something unpleasant about the economic system we have fashioned.

PJC's picture

Very true.

bhkat's picture

The economic system in the west allows people to get rich by selling people what they want and not the way it used to be done in the past: raiding their villages, killing all the men, taking the women and children as slaves.
I'm glad someone put this system together and some of the technology will be available in less expensive components.

DaveinSM's picture

Hmmm… you seem to conveniently forget that all those injustices happened as a routine matter of course and for centuries in medieval Europe. You know - in the west.

bhkat's picture

We don't have feudalism in the west anymore. We don't have to go back to medieval times, the socialists in China killed more of their own people by starvation than died on the battlefield during World War II. And that was less than a hundred years ago.

DaveinSM's picture

The west is a big place and it’s clear you’ve never heard of people like Orban, Lukanshenko… and Putin.

Places that are far right authoritarian right now, or places like Poland that were also very recently socialist.

I disagree with your oversimplification and ignorance of the current developments in government abroad and here in the US.

bhkat's picture

Capitalism is what I meant. That is the superior economic system that was developed and is flourishing in the west. That is the system that is responsible for taking hundreds of millions of people out of poverty. It is an imperfect system but much better than what came before.

DaveinSM's picture

Ok, big difference between capitalism and “the west”, but unfettered capitalist greed is untenable unless it is reigned in by regulations to keep people relatively honest and to maintain order.

Successful long term capitalist societies must have some elements of socialism (like taxation and consumer protection, among many others) to stably exist.

Scandinavian countries are a great example of nominally capitalist societies that self-identify primarily as Socialist. And their vaunted quality of life is thanks to the socialist part, not the capitalist. If you don’t believe me, ask them.

Personally, I think that capitalism is over revered by those on the far right, and too often they conflate it with politics and attempt to elevate it to a religion.

Capitalist consumption may pay the bills, but it doesn’t necessarily grant freedom, nor can it administer justice. Too often, Justice must be protected from capitalism.

Caveat Emptor only goes so far in terms of protecting the masses from being exploited by the few. You know- late stage capitalism which cyclically devolves into feudalism.

We’re seeing it again with the techno feudalists flocking to an authoritarian figure promising them unfettered power over others. It’s shameful.

DaveinSM's picture

I realize that not everything has to be an investment, but a system like this (and a suitable home required to put it in), would be a more suitable expenditure for a multi billionaire IMO.

I bet that, on a dollar for dollar basis, a pair of LS50s will depreciate far less over time than this rig and all its individual components will (see Ken Fritz).

On the upside, I guess we should all be glad that high end audio equipment loses so much of its value so quickly. I guess it would take a billionaire to not even care.

DaveinSM's picture

I do not believe that this 0.1% of net worth is an apt metric to apply to an audiophile budget.

A person with a net worth of one billion dollars generally has FAR less than a billion in liquid, cash assets to spend on things like stereo equipment.

Of that billion, the majority is likely tied up in non liquid assets like equity in corporations and real estate. The real estate quite likely has a substantial debt to service on its own. Plus there’s the added taxes and maintenance costs of those beachfront vacation homes and pied a terres.

I could see a person with a billion in net worth even struggling to pay the bills some months if they have cash flow problems.

Yes, if the billionaire is an ardent audiophile I’m sure they could find a way to swing a system like this. Even if, at over 2 mil, it’s over 0.2% of their net worth. But I bet it could be a bigger stretch than we would think.

Then you got the intangibles, like negative WAF for all this massive gear. And we KNOW that potential buyers of this rig are all men. LOL

ChrisS's picture

https://www.alamy.com/a-forbidden-orange-aka-la-naranja-prohibida-malcolm-mcdowell-in-scene-from-a-clockwork-orange-1971-2021-turner-classic-movies-courtesy-everett-collection-image482375105.html

Jason Victor Serinus's picture

As much as I'm not surprised by many of these comments, I find the level of cynicism and dismissivenes dismaying. Really, folks, this was a state of the art system. I'm not sure I've ever heard anything quite like it. It took me as close to my experience of live music as I've ever felt.

Of course, Boris Blank and Malia's recording presents an electronically enhanced alternate reality. It is anything but live music. But the electronic universe this system created from Blank and Malia's artistry was something apart from just about anything I've experienced before. Except, perhaps, from dCS Varèse, whose accuracy and transparency are so uncanny that the Varèse system often leaves me feeling that I'm right in the room with artists during the recording process.

In most rooms at the show - in most demos I've ever attended - I'm always aware of listening to a recording. There is always a sense of distance. The recording is there and I am here. I did not feel that separation in this room. What this system did was wondrous.

Yes, it's ridiculously expensive. And, yes, I too rage against the machine. Only a teeny weeny itsy bitsy fraction of humanity can possibly afford and house a system of this magnitude, and some of those people did not come by their wealth in ways that enhanced the greater good. (That's putting it mildly.) But as much as I know that, I also know that what I heard in Magico's room reflects a pinnacle of techical and artistic accomplishment that I, for one, celebrate. Which is why I continue to do what I do.

Laphr's picture

I'm always amused by how many arguments the haters use against excellence, Jason. It's a shameful expense; you're awful people; it's not better than mine; you can't hear it anyway; it's not scientific; it has nothing to do with music; what's wrong with the world, dammit? They got a dozen. Snake Oil!

The neat trick is how obvious their materialism becomes when they presume everybody else's.

The overall argument holds no water. As Darko says, it's a transparent cope.

Too bad the comments board doesn't self-manage this rude annoyance like some others do. Oh, and that's another motivation: They comment just to troll. Forced misery.

Keep on keepin' on, JS. Regular people appreciate the best.

Jason Victor Serinus's picture

:-)

DaveinSM's picture

When an admittedly state of the art system like this reaches this level of scale and power, I believe that it’s more of a psychological manifestation of the male need to have power, grandiosity, and exclusivity reflected upon the owner.

I see it in the automotive world ALL. THE. TIME.

Laphr's picture

Well, the world needs all sorts of schoolmarmish correcting lest it think something the noble thought police disapprove of.

The policed view of political polarity is especially amusing. Reminds one of envious, moralistic assumptions about wealth and obsessive projections on excess. But I repeat myself.

Some of you see things. Given a consistent myopia, apparently they're a manifestation of knowing everything there is about virtually nothing.

DaveinSM's picture

Gee, Laphr, you seem to be the one person here who manages to write snarky, irritatingly sanctimonious opinings on the writings of others, yet manage to do so using a world view that is a complete solipsistic jumble of meaningless words that are so circular in nature as to mean absolutely nothing.

What is better - to know everything there is about virtually nothing, or to know nothing about virtually everything? You seem like the type to know. And paradoxically, clearly not know.

DaveinSM's picture

Psychologically, I find it interesting when I post a comment like this, and I get sudden, angry, vehement accusations of envy and personal attacks from people who don’t know me and have no clue about my personal circumstances.

It’s as if they have some deeply personal stake in a hi fi component that they themselves have never heard. And will probably never hear. Notice, I made no negative comments on the sound quality or even the value proposition of it.

My comment was a psychological observation based on the known, written facts of this DAC (price, dimensions). Yet your clearly defensive attack on me for writing it is all based on conjecture about things you could not possibly know about. So mine is based on facts, and yours purely on your own emotions and not facts.

Laphr, I’d call you a snob, but I think you would take that as a compliment.

It’s not.

Your accusation of envy is clearly another psychological projection.

JohnnyThunder2.0's picture

Your response was necessary and articulate. What none of the usual gang of negative troll types ever talk about is the love of music. While extremely expensive, this equipment has been created to be in the service of providing incredible musical enjoyment for those who want to take it to this level. I am content with my 25k system built over time. It plays music beautifully. But just because I can't afford an original Matisse or Francis Bacon doesn't mean I can't appreciate those works and don't feel jealousy and resentment towards those that can actually collect important works of art. I feel the same when I see a "statement" system like this. I simply say "wow" and I don't get all worked up about something I will never be able to afford.

Jason Victor Serinus's picture

Much appreciated, god of thunder.

jason

DaveinSM's picture

Actually, I’m finding the opposite observations. Seems to me, the anger and defensiveness is on the side of those attacking anyone who even dares question an admittedly state of the art system like this.

And those going down the rabbit hole of paeans to seven figure sound systems *never* talk about the music. They just love to talk about gear.

teched58's picture

Please tell us.

DaveinSM's picture

We are supposedly envious of the fact that someone has a system like this and we don’t, or can’t.

I look at my home as a holistic whole, a place where I feel comfortable and that pleases my eye. Plus, I have a wife with whom I need to compromise.

So I’m sure nobody would believe me when I honestly say that I wouldn’t have this rig in my house unless it could be separately housed in a Ken Fritz sized dedicated listening room. If I did? Then sure. But where I live, a house like that would cost pretty much eight figures. My music collection takes up more space than my rig itself, so there’s that space consideration as well.

So I believe this comes down to a wealth issue where the presumptive envy (not jealousy, which is a completely different emotion) is over the entire wealth and privilege package, not just the system itself.

Most of us would look foolish in our current situations if we had this system in our homes. For me, a right sized system is better than a max sized system.

noamgeller's picture

I appreciate your passion for music art and life, we are sitting in the same boat. I assume most Stereophile readers are.

I have encountered the world of high End at the age of 20 in a small shop in Toulouse, France . That was some 20 years ago. I still remember being humbled by the mighty Focal Utopia Em (130,000€at the time) and the immaculate finish of the Sonus Faber Stradivari (30,000€)

20 years after and many many shows under my belt I too became cynical and bitter with the new pricing regime of the High End world. Not because of jealousy but because of the clear observation that unless factory raises their prices they will be out of the game. More money=better is the latest trend. This pricing hyperbole is nothing but an empty shell, a mockery to the true beautiful essence of audio experience music. With so many layers of ***shit it is hard to concentrate on tiny glowing flame that sits within the products, passion, joy, admiration for music.

I am a professional carpenter and building my own equipment, I know the cost of Labor, materials etc… really sad to see the world of high end ridiculously trying to sell the story of the Emperor’s new clothes story to highly educated consumers.

Still, I am so glad you are who you are and you do what you do, this is what counts in the end.

Jason Victor Serinus's picture

jason

FredisDead's picture

a) you seem to constantly proclaim every piece you review as the best thing since sliced bread b) you have a marked tendency to fetish-ise stacks of digital gear.
But with that said, you are a tremendously gifted listener and writer in my humble view.
Now my point in posting; are you the best person to be commenting on this system given your own "devotion" to D'ag gear? Aren't you a bit more than moderartely biased? And may I be so bold as to ask for the sake of some degree of transparency, how much money do Magico and D'agostino pay Stereophile each year in advertising and how much money do these two manufacturers in effect compensate Stereophile staff each year in what you folks call "accomodation pricing" (I love that term,. wish I got some "accomodation pricing" from my former girlfriends).

David Harper's picture

Of course not. Because it's the most expensive. It's common sense that the more it costs the better it must sound.

DaveinSM's picture

Generally speaking, there is a correlation between cost and fidelity, and it’s not even a loose one. Otherwise, why are you even here and not trolling cnet?

I think you’re confusing value for dollar for the law of diminishing returns. This system is an extreme case of the latter, not the former. It’s not for everyone, and that’s the point.

David Harper's picture

No, there isn't. Come on Kal. Man up. Chime in here.

Jason Victor Serinus's picture

the world is flat.

ok's picture

..most of this stuff goes straight to the asian markets.

Jason Victor Serinus's picture

to learn that many companies that market expensive gear cite the U.S. as one of their strongest markets. Before the whole tariff debacle, at least.

CJeong's picture

many in the US are currently experiencing, I think the headline is in very poor taste.

Knowing most of the equipment in these Stereophile show posts is far beyond affordability for me, I just don't click on them, but this headline made me open the post to comment.

Jason Victor Serinus's picture

The headline, for which I cannot take credit, served its purpose. It drew you in.

DaveinSM's picture

Well if you admit that it was in poor taste, yet manipulative to draw people in, it hardly seems fair to then accuse those same people of “jealousy” when they post a comment on it.

Can’t have it both ways.

BTW, ‘jealousy’ and ‘envy’ are two different things. In this case, the more appropriate word to use is envy.

Jealousy is anger and anxiety at the fear of loss of something to someone else. Romantic affairs cause jealousy, for example, because a large component of the threat is the fear of loss of the partner (or loss of attention, love, access) to another person.

Envy is anger and anxiety due to the knowledge that another has something you lack, or has superior attributes, privileges, etc. that you lack. The fear of loss component is not central to envy like it is to jealousy.

Jason Victor Serinus's picture

Where did I agree that the headline was in poor taste? I didn't.

Every journalist worth their salt composes a headline, an opening sentence, and an opening paragraph with the express purpose of drawing people in. If none of those arouse people's interest, they likely will not read further. As much as I personally would not have chosen a headline about money as the intro to a review of finest streaming DAC system I've ever heard in my music room, it's clearly caused quite a buzz.

What's sad is that I doubt a single commenter who is so eager to dis Varèse has heard it. Admittedly, with it available for audition at only select dCS dealers worldwide, it's not easy to hear.

directdriver's picture

Even if I have a billion dollars I would be embarrassed to purchase something as hideous looking as the Wadax gears.

David Harper's picture

Wish we could ask Elon Musk if he would want this ugly monstrosity of a system in his house.

Jason Victor Serinus's picture

The Wadax gear costs even more than the dCS Varèse stack.

ChrisS's picture

...Fords on the road!

Jason Victor Serinus's picture

the Ford less taken.

EvanF's picture

I was there twice on the first two days of Axpona. I am not sure if what they were playing was music, or just plucking bass and guitar every so often. A missed chance to show off the dynamics of snares and vocals and ease of reproduction of complicated, busy music. I don't doubt for a second people would rather hear Aretha Franklin than the stuff Alon was playing. Oh well. I do remember the guitar strums to be eerily three dimensional. Alon said he didn't know how much of that effect was due to the D'Agostino amps, which having some shared DNA with Krell amps, would explain some part of that effect. I would like to compare these speakers with Yamaha GF-1s, one of the Japanese super speakers of the 20th century with groundbreaking technology and a sky high price

Jason Victor Serinus's picture

I'd check with Dan D'Agostino before I said that Krell and Dan D'Agostino gear share DNA. Dan may be the constant, but Dan has worked with other engineers since he, Rondi, and Krell parted ways. In addition, he's made quite clear in interviews I've conducted and published that, in his opinion, Krell went down a wrong path where measurements rather than sound became the chief obsession. Listen to his interview about the new Pendulum integrated which, so far, has been posted to Stereophile's YouTube channel.

EvanF's picture

Connect bridge Benchmark AHB2s to the mid woofers and tweeters and midrange drivers, and bridged Crown K2s to the woofers, Danville Signal DSP nexus to control it all. Maybe two Benchmark preamps to improve amp control ability. Stream from an Apple TV to make it really interesting,or just USB from Macbook with Apple Music. I bet the sound would still be killer.

George S's picture

I went into that room twice and simply couldn't stay. Yes they sounded lovely, but for god's sake, the music was BORING. Some kind of slow country thing and then the Geoff Castelluci's version of Sound of Silence...where I simply laughed...shook my head and walked out. And for the rest of the day found my self humming the chorus substituting in the word "constipation" for certain parts along with "run and hit the head".

Just wasn't particularly fun music at all...and that is the only way I ever want to audition equipment.

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