People often ask me how I listen to music when I travel. I play MP3s on my iPhone.

That answer always surprises, and sometimes disappoints: "You listen to MP3s?"

The response is moderately tempered when I add that I use good in-ear monitors (IEMs)—either Westone ES50s (ca $995) or Jerry Harvey Audio Laylas (ca $2725), both with eartips made from molds of my ear canals.

The Toronto Audio Video Entertainment Show (TAVES) has changed its venue. The show that now bills itself "North America's ULTIMATE Technology & Hi-Fi Show" has moved from the suburban Sheraton/Best Western location of the past two years to the Toronto Congress Centre, near the airport.

Why the move? Suave Kajko, President of TAVES, cites several reasons: the venue wanted to literally double the price for the large rooms; the Best Western hotel was the source of many complaints from exhibitors, and, in any case, is scheduled for demolition, and the show was bursting at the seams in terms of space (they didn't have enough space for booth exhibitors).

How many times have I asked myself what the purpose of music is? And what music really is, and what exactly I am trying to convey. What feelings? What ideas? How can I explain something that I myself cannot fathom?—Gabriel Fauré, letter to his wife, August 31, 1903

In writing reviews for Stereophile, I face a challenge. Whether I'm evaluating an audio component, a recording, or a live performance, I'm confronted by the fact that, when all is said and done, no one fully understands why or how the sound of a particular component, composition, or artist can affect us as powerfully as so many of them do. How and why music and sound moves us remains, fundamentally, a mystery.

Ahmad Jamal: Marseille
Ahmad Jamal, piano; James Cammack, double bass; Herlin Riley, drums; Manolo Badrena, percussion; Abd Al Malik (track 4), Mina Agossi (track 8), vocals
Jazz Book/Jazz Village [PIAS] JV 33570142.43 (2 LPs). 2017. Ahmad Jamal, Seydou Barry, Catherine Vallon-Barry, prods.; Vincent Mahey, eng. ADA? TT: 59:33
Performance *****
Sonics *****

While cities like New York, Detroit, and Philly all get more press for their jazz history and connections, Pittsburgh has a rich history as the birthplace of many notable swing and bebop jazz players. Bassist Ray Brown, drummers Art Blakey and Jeff "Tain" Watts, tenor saxman Stanley Turrentine, trumpeter Roy Eldridge, and the one and only Billy Strayhorn, famed collaborator of Duke Ellington and composer of "Take The 'A' Train," all came from The Burgh.

With no fewer than 42 pages of audio equipment coverage! Astell&Kern's Ultimate potable player is featured on the cover and gets a workout from Mikey Fremer on multiple road trips. On the domestic front, we have reviews of digital products from Naim, Oppo, and Benchmark, Reed's Muse 3C turntable, and amplification from Rogue and Margules, while Jim Austin lives with Devialet's groundbreaking Phantom Gold wireless speakers.

There may be US shows with greater attendance, but there is a special energy about the Rocky Mountain Audio Fest that sets it apart from the rest, and keeps exhibitors and dedicated audiophiles returning year after year.

Thus was it fitting that, at the end of the Rocky Mountain International HiFi Press Awards (RIHPA) on the first night of the show, Gabi Rijnveld of Crystal Cable (left above) presented show organizer Marjorie Baumert (right) with a crystal rose pendant in honor of her dedication to the industry members and consumers who make high-end audio what it is.

Sunday afternoons at audio shows are when the good sound is just kicking in. The rooms' components have recovered from the trauma of travel and are starting to purr. Unfortunately, that's when the toys go back in the boxes. That is also when this humble reporter looks like he's been dragged behind a car.

And this Sunday, just when I thought I was done being dragged, I get this mad call from an out-of-breath Jason Victor Serinus, saying, "Herb! Get your ass up to room 1125 (the Parasound-Tekton room). The sound is amazing, and you must listen to this speaker. Hurry up!"

Vana Ltd. had two rooms at RMAF. Both rooms had stereo systems set-up, but the first room I entered was filled by a hoard of standing, chattering people of all sexes. It looked like they were making big business deals so I decided to not eavesdrop or interrupt. However, the sound of music coming from the Vana room next door was inviting. I slipped in and was greeted warmly by Nancy Weiner and Audio Physic's Manfred Diestertich.