Doug White, of Philadelphia-area retailer The Voice That Is, has been a fixture at US audio shows the past few years, where he always gets great sound using loudspeakers from Tidal Audio. (There is no connection between the German audio manufacturer and the music-streaming service owned by Jay Z and Sprint.) In early 2017, Herb Reichert, Jana Dagdagan, and I visited White and spent a delightful afternoon listening to Tidal's then-new Akira loudspeakers. I promised myself to review the Akira, which costs a wallet-straining $215,000/pair, when my schedule opened up. As things turned out, it was more than a year before that opportunity presented itself.

Register to win a 1M pair of Coppertone RCA interconnects, a 1M Coppertone USB digital cable, and a 2.5M pair of Coppertone speaker cables (Total value $649.84) we are giving away.

According to the company:

"Coppertone by Black Cat Cable distills a tremendous amount of high performance attributes into an affordable series of cables that punch far above their weight! As with all of our cables, Coppertone are part of Black Cat Cable's collection of cables that are manufactured in our Cumming, GA workshop by Chris Sommovigo personally! Our materials, our machines, our processes!"

[This Sweepstakes is now closed.]

Bernstein: Arias and Barcarolles
Isabel Leonard, mezzo-soprano; Ryan McKinny, bass-baritone; San Francisco Symphony, Michael Tilson Thomas
SFS Media SFS-0073 (24/96 download). 2018. Jack Vad, broadcast & mastering eng., postprod.; Jason O'Connell, post-prod. DDD. TT: 32:54
Performance ****½
Sonics ****

Why name this short digital download or streaming–only release of a live San Francisco Symphony performance from 2017—its native 24/96 PCM broadcast sound is a notch lower than the best-recorded titles in SFS Media's series of Davies Symphony Hall broadcasts— as our "Recording of the Month"? Because, as the centennial of the birth of Leonard Bernstein (1918–1990) draws to a close, this new recording of his eight Arias and Barcarolles from conductor Michael Tilson Thomas—whom Bernstein asked to play piano alongside him when the original version of the cycle, for four voices and piano four-hands, premiered in New York City in 1988—is definitive and essential listening.

Saturday October 20, 1–6pm, Jared Sacks, Channel Classics Records' founder, producer, and engineer as well as NativeDSD Music's co-founder & CEO, will give a DSD Listening Demo in collaboration with Mytek at Innovative Audio Video Showroom (150 E 58th Street, New York, NY 10155).

Sacks will walk listeners through some of his multi–award-winning Channel Classics DSD recordings as well as some of the most popular and noteworthy DSD tracks from other labels. From Analog Tape Transfers Direct-to-DSD by the team at 2xHD-Mastering, to the unedited/unprocessed one-take DSD256 recordings from labels such as Eudora Records and Just Listen Records. Samples in DSD are available for Free at the Native DSD Music Store.

When I began writing for Stereophile, I dreaded doing comparisons. They were stressful and tedious—and what if I got them wrong? But I quickly learned: Not only do readers enjoy comparisons, they need them. How else might they imagine the relative merits of the component under consideration? Once I realized this, I began acquiring a range of reference amplifiers.

But conspicuously missing from my audio menagerie has been a fast, neutral, 100Wpc tube amp to put more pop, fire, and maybe a little glow, into the Harbeth M30.2s.

"At what price does a high-end product cease to exist for the 'normal' audiophile?" This question, which I asked in the February 2017 issue, was a follow-up to one I'd asked in our April 2011 issue: "If all someone is offered is a $150,000 pair of speakers . . . that person will walk away from this hobby, or build his or her system by buying only used equipment. Either consumer choice turns the price spiral into a death spiral for manufacturers."