I admit up front I've been behind the curve in understanding/appreciating the EgglestonWorks house sound. I'm a slow learner, but whenever I finally get something—I've got it. Today, in the room sponsored by retailer Tenacious Sound (with stores in Syracuse, NY, Augusta, GA, Jacksonville, FL, and, soon, Louisville, KY), during the world premiere of EgglestonWorks' very beautiful Nico Evo standmounted speakers, I realized why so many people love this brand . . .

Ever since Magnepan's Wendell Diller married this beautiful former Soviet spy (aka Agent G), he's been doing everything on the down low, hush-hush, totally covert. (Though I must say he does look good in dark glasses.)

This year at AXPONA he has a secret room, at the end of an obscure hall, with no signage. Agent G watches the door from a distance, and you must knock the secret knock to enter.

The first of the two ELAC rooms I visited featured the Navis ARF-51 powered tower speaker ($4000/pair). This design from Andrew Jones, shown in my photo, features a coaxial tweeter/midrange unit and three woofers. Level controls allow the balance to be optimized—up to ±1dB for the coaxial unit, up to ±4dB for the woofers.

The smallest model in ELAC's Carina series, the BS243.4 ($1200/pair) represents a departure from Andrew Jones' other designs that feature a concentric tweeter/midrange driver in that it combines a folded ribbon HF unit with a 5.25" aluminum-cone woofer. A reflex design, its port fires downward from the bottom of the enclosure with a slot formed between the base and a plate underneath it. This should make the speaker easier to place in a room where it can't be used well away from the wall behind it.

Distributor Axiss Audio's main system, built around Air Tight's ATM-3211 211-tube based monoblocks ($72,000/pair), premiere ATM-2Plus KT-88-based stereo power amplifier ($TBD), ATC-5 tube-based preamplifier with phono equalizer ($9500), ATH-3 step-up transformer ($3000), premiere PC-1 Coda cartridge ($8500), and Opus cartridge ($15,000) took pride of place in an all-analog system whose bottom line was tube warmth for days.

No less a personage than Jim Austin suggested that I check out all the new products in the T+A Elektroakustik room, presented by retailer Lone Star Audio. Given that every single T+A product was brand new and pressed into service just 48 hours earlier, and that exhibitors are prohibited from running systems at break-in volumes (if at all) at night, the fact that my brief listening session left such a positive impression makes me eager to hear how everything will sound after it settles in.

In the inner sanctum, as it were, of distributor Axiss Audio, I discovered what I believe were three premieres: Soulution's 525 preamp ($26,500) and 311 power amp ($12,000), and Piega 511 speakers ($15,000). In a brief listen, this system's notably drier, straight ahead, and detailed presentation was distinguished by a smooth midrange core . . .

On the top floor of the Schaumburg Hotel, retailer GTT Audio assembled an alluring system from many of its top brands. Including three premieres—Kronos Reference Phono stage ($45,000), Mola Mola Tambaqui DAC ($13,400), and YG Acoustics Vantage loudspeakers ($32,800/pair)—the system displayed a finely graded range of colors within a cool color palette. How this particular assemblage of components will sound once its speakers have been broken-in for far more than 48 hours is something I'm eager to find out.

Across the hallway, Paragon Sight and Sound set up a more "modest," albeit hardly chump-change, system that included Wilson Alexia 2 speakers ($59,900 with this special red finish), brand-new tubed Rogers KWM 88 Corona integrated amplifier ($14,000) plus PA2 phono stage ($7300), dCS Bartok DAC ($13,500), Clearaudio Ovation turntable with 9" arm and custom finish ($11,000) and Clearaudio Jubilee cartridge, Transparent Reference and Reference XL cabling, a Transparent Reference Power Isolator ($5995), and Harmonic Resolution System RXR 4V with R3x base audio rack ($9330).

Loudspeakers by Danish manufacturer Dynaudio were featured in two rooms; both demonstrated exactly how clearly, and authoritatively precise, their speakers could sound when driven by amplifiers from the German manufacturer Octave. In Dynaudio's big demonstration room I heard the $5000/pair Evoke 50 loudspeakers (the floorstanders in the photo above) being driven by an Octave V80SE integrated amplifier ($10,500), itself fed by a dCS Bartok DAC ($13,500), with all Nordost cables. Every musical selection made me think, very consciously, that this is the kind of sound 90% of the audiophiles on the planet would be proud to show off in their homes: well-voiced, properly punctuated, tight as a drum head, and clean as fresh snow.