Manley Labs' firebrand CEO EveAnna Manley always seems to enjoy audio shows and AXPONA was no exception, where she was showing off the Absolute Tube headphone amplifier ($4500) in the Ear Gear Expo.

I was impressed by the new Monitor Audio Gold 300 speakers when I auditioned them at the recent Montreal Audio fest. At AXPONA, Chicago retailer Saturday Audio Exchange was showing off the smaller Gold 200 tower ($5000/pair) and Gold 100 bookshelf ($2100/pair) driven by a Roksan Blak integrated amplifier ($4499) and Black CD player ($3999) and hooked up with AudioQuest cables. Like the 300, the smaller speakers feature midrange units and woofers that use Monitor Audio's RDT II (Rigid Diaphragm Technology) sandwich diaphragms, with a "Micro Pleated Diaphragm" tweeter.

Jolida Audio began life a fabricator of vacuum tubes. But since the early 1990s, it has been known for its musical-sounding, modestly priced tube amplification. Jolida was also famous for its association with Jim Fosgate, famous for his Dolby Pro Logic inventions and, more important (to me at least), his battery-powered cartridge-azimuth alignment tool, the Fozgometer. Which I use all the time.

My personal selection for Stereophile's 2018 Product of the Year was the super-resolving, highly-involving TAD Micro Evolution One loudspeaker ($12,495/pair). I heard it first at a MoFi demonstration at an audio show. Wherein I repeated the words "wow" and "my god" over and over. Think goosebumps and awe. But I never thought, or imagined, how much more fleshed out and expansive the ME1s could sound with another octave of energy at the bottom. This year, in the second Tenacious Audio room, the $27,995/pair TAD Evolution E1TX-K loudspeakers produced a much larger and more forceful energy field—with an enhanced octave to octave tonal balance. The E1TX-K's dual 7" woofers and CST coaxial mid-tweeter array delivered an extremely beguiling transparency.

The impressive-sounding room from dealer Audio Video Interiors featured the Anthem STR integrated amplifier ($4499) that Tom Norton reviewed for Stereophile in July 2018. Speakers were the Paradigm Persona 3Fs ($10,000/pair), a smaller sibling to the similar-looking Persona 5F ($17,000/pair) that Kal Rubinson reviewed in October 2018.

The final MoFi Distribution room I visited at the show featured the version of the classic BBC LS3/5A minimonitor made by Falcon Acoustics that I reported on in our report from the 2018 RMAF. This is said to be the only version currently manufactured that is truly identical to the original and was very favorably reviewed by Herb Reichert in October 2017.

Ken Micallef was impressed by this British company's CDA2 Mk.2 CD player/DAC ($4249) when he reviewed it in the January issue, and ATC were using it as the souce in their room at AXPONA. But pride of place went to their SCM50 tower speakers ($22,000/pair, far right in my photo) and the similar-looking SCM50SE powered towers ($60,000/pair, near right).

Look at that photo and notice the elegant wood grille on the Gershman Acoustics Grande Avant Garde loudspeaker ($13,000/pair). How good does that speaker look in person? I put a high value on imaging and what an orchestra looks like between the speakers. Therefore, I prefer speakers with grilles: Exposed drivers distract me from the sound and the illusion . . .

. . . proclaimed posters everywhere on the Renaissance Convention Center's ground floor. It turned out that the show had run out of exhibit rooms, so a purpose-built listening room had been built for Chicago dealer Kyomi Audio at the back of the big hall that housed the LP fair, the Master Class space, and the Ear Gear exhibits. Inside—forgive the grainy photo; it was quite dark inside this room—were a pair of Raidho TD1.2 stand-mounted speakers ($27,000/pair) connected with Gamut Reference cables to a pair of Jadis NEC 845 push-pull monoblocks ($29,990, the first pair in North America), a Jadis JPS2 preamp ($15,500), and a Jadis JPS3 phono preamplifier ($14,900).

I had forgotten how dynamic Avantgarde's Uno XD speakers ($32,000/pair) could sound, coupled with a fine delicacy that was in evidence on an SACD track by Jenn Chapin (daughter of Harry Chapin), where Ms. Chapin was palpably placed in the center of the stage, with a double bass on the right and a baritone saxophone on the left. Electronics were all from Esoteric: the new Grandioso P1X SACD transport ($50,000) feeding DSD data to two of Esoteric's new Grandioso mono DACs ($50,000/pair), these all clocked from an Esoteric Grandioso Rubidium Master Clock ($26,000). The transport uses a new mechanism and the D/A processor a fully discrete DAC topology with 64-bit processing.