It's not unusual for audiophiles to have fond childhood recollections of the old family stereo, but Eelco Grimm's memory of his dad's audio system probably stands alone. It's not just that Piet Grimm, a professional pilot for the Dutch air defense, had a pair of very fine Infinity speakers, a Pioneer receiver, and a Technics turntable. Others surely did, too. It's more that he purchased the system from a military PX shop at a US air force base in Germany, then happily flew the equipment home to the Netherlands on his Northrop F5 supersonic fighter plane. That's not run-of-the-mill cool, that's Top Gun cool.

Years later, Eelco, too, started taking stereo gear to new altitudes, becoming a designer of high-end speakers and electronics. After Grimm Audio, a 15-person enterprise, moved to a building near Eindhoven airport in the southern Netherlands, he realized that it stands in almost the exact spot where his dad used to park his fighter jet.

Holy cannoli—was there bass in retailer Laliberté Électronique’s room. But not just bass. Also transparent mids, smooth highs, and floods of detail blowing through a vast soundstage. Even so, there’s no doubt this system was configured to appease the bass gods.

I remember when everyone but my grandmother wanted a pair of Von Schweikert VR-4 speakers. They were the talk of the town. The press loved them, customers praised them. And they weren’t too expensive. Things have changed since, of course—the VR.thirty on display at the Audiofest costs $88,000/pair, but it’s also quite a bit more ambitiously designed than the VR-4 was. The VR.thirty also sounds ambitious.

Lenbrook Americas was demoing a couple of systems in its room, all DALI–NAD–Kimber Kable configurations.

Audio Research? That’s right! The iconic brand, now owned by Val Cora of Acora Acoustics, is not only back in circulation but was making beautiful music at the ’fest via its just-released, dual-channel, fully differential, 100Wpc solid state S-100 integrated amplifier ($16,500) and LS-3 preamp, equipped with optional phono and DAC modules ($15,500 altogether).

Thirty-six years ago, I was 23. Why does that matter? Because that’s also when the Montreal audio show had its inaugural year. 36 years is a crazy milestone to reach for any annual event, especially one centered around a hobby as niche as ours.

Linn brand ambassador Lorenzo Pacitti earnestly offered demos in Room 481, and I happily obliged.

It’s 3am on a Sunday morning. I must complete my tasks before Mark Henninger is awake. There are a handful of rooms left, beginning with Room 265, where Supreme Acoustic Systems brought on Soulnote and others.

Ryan O’Connor, president of ReVox North America, was working the rooms and the halls, but his ReVox B77 reel-to-reel machine ($15,900) failed to make it to Tampa for the ReVox room. No matter; the room offered a solid setup, including a Playback Designs IPS-3 integrated amplifier ($13,000) producing 260Wpc into 4 ohms, driving Aretai Contra 100S speakers ($9000/pair).

As I wound down the mad dash from first to fourth floors, from imbibing coffee to considering cocktails, there was still more coverage to put to bed. Deep Dive Audio of Palm Bay, Florida, resuscitated my senses with a large rig of top-flight entertainment components.