Jonathan Scull writes that "with its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the <I>seam</I> between classic high-power two-channel systems and quality multichannel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. 'I'm a purist, like you, Jonathan!' he told me." In his review of the <A HREF="http://www.stereophile.com//amplificationreviews/266/">Krell Full Power Balanced 350mc monoblock amplifier</A>, Scull determines whether or not Krell has struck its musical target.

E<I>ditor's Note: This is Part Three of a six-part series from reader Herv&#233; Del&#233;traz of Switzerland, who is chronicling the development of his DIY (do-it-yourself) audio amplifier. Part One is <A HREF="http://www.stereophile.com/news/10825/">here</A&gt;, and Part Two is <A HREF="http://www.stereophile.com/news/10832/">here</A>.</I&gt;

Audio manufacturers who know what's good for them avoid stepping on the toes of <A HREF="http://www.bose.com/">Bose, Inc.</A> The Framingham, Massachusetts&ndash;based corporation is renowned for it ruthless marketing and zealous protection of its patents.

The global market for music could reach $42.8 billion within five years&mdash;more than $7.5 billion higher than the present level, according to a recent study by <A HREF="http://www.pwcglobal.com/">PriceWaterhouseCoopers</A&gt; and <A HREF="http://www.wilkofskygruen.com/">Wilkofsky Gruen Associates</A>. In the about-to-be-released study, <I>The Global Entertainment & Media Outlook: 2000&ndash;2004</I>, the firms make their prediction based on buying patterns and other economic factors in several regions of the world.

<B>Prelude</B> <BR> I fell in love with the original Link DAC, as was obvious from <A HREF="http://www.stereophile.com//digitalsourcereviews/234/">my review</A> in the January 1999 <I>Stereophile</I>. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.

<B>Prelude</B> <BR> I fell in love with the original Link DAC, as was obvious from <A HREF="http://www.stereophile.com//digitalsourcereviews/234/">my review</A> in the January 1999 <I>Stereophile</I>. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.

<B>Prelude</B> <BR> I fell in love with the original Link DAC, as was obvious from <A HREF="http://www.stereophile.com//digitalsourcereviews/234/">my review</A> in the January 1999 <I>Stereophile</I>. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.

<B>Prelude</B> <BR> I fell in love with the original Link DAC, as was obvious from <A HREF="http://www.stereophile.com//digitalsourcereviews/234/">my review</A> in the January 1999 <I>Stereophile</I>. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.

<B>Prelude</B> <BR> I fell in love with the original Link DAC, as was obvious from <A HREF="http://www.stereophile.com//digitalsourcereviews/234/">my review</A> in the January 1999 <I>Stereophile</I>. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.

<B>Prelude</B> <BR> I fell in love with the original Link DAC, as was obvious from <A HREF="http://www.stereophile.com//digitalsourcereviews/234/">my review</A> in the January 1999 <I>Stereophile</I>. I said that "the Link redefines entry into high-quality digital sound," as it provided excellent sound and 24-bit/96kHz conversion for the remarkably low price of $349. It is as firmly ensconced in Class C of "Recommended Components" as it is in my weekend system, where it tames the digital signals from my DMX receiver and my trusty old Pioneer PD-7100 CD player.