The public auction of the assets of <A HREF="http://www.wadia.com/">Wadia Digital Corporation</A> has been postponed for at least two weeks, according to an employee of the Minneapolis law firm Siegel, Brill, Greupner, Duffy & Foster, P.A., which is handling the liquidation.

Last week, <A HREF="http://www.bmgentertainment.com/">BMG Entertainment</A>, the music and entertainment division of <A HREF="http://www.bertelsmann.de/">Bertelsmann AG</A>, revealed that it will join several other major labels (see previous stories <A HREF="http://www.stereophile.com/news/10798/">EMI</A&gt; and <A HREF="http://www.stereophile.com/news/10814/">Universal</A&gt;) by bringing its own digital downloads to the Internet this September. The company says that it will start with approximately 50 songs and 50 complete albums, to be made available via several retail Web outlets at prices ranging from $1.98 to $3.49 per song and from $9.98 to $16.98 per album.

Late August news bites: <A HREF="http://www.ti.com/">Texas Instruments</A> announced August 25 the completion of its acquisition of chipmaker <A HREF="http://www.burr-brown.com/">Burr-Brown Corporation</A> in a stock swap. Burr-Brown is highly regarded in the audio industry for its low-noise, high-speed digital/analog converters and digital signal-processing (DSP) ICs. The company also makes ultra-high-quality analog components, a segment of the semiconductor industry expected to grow by 25% in the coming year, according to industry analyst Dataquest.

E<I>ditor's Note: There is a large contingent of </I>Stereophile<I> readers who design and build their own equipment&mdash;the DIY (do it yourself) crowd. Herv&#233; Del&#233;traz from Switzerland has been e-mailing us photos and stories over the last year about his own ambitious DIY amplifier design, so we asked him if he'd be willing to share a chronicle of his progress, starting from the beginning. This is the first in a six-part series written by Mr. Del&#233;traz.</I>

Back in 1997, DVD-Audio was still miles away&mdash;and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'&mdash;meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The <A HREF="http://www.stereophile.com//digitalsourcereviews/259/">dCS Elgar D/A processor</A> was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.

E-wisdom holds that one of the big advantages about retailing on the Internet is that, once a comany is online, the entire world of consumers is only a few mouse clicks away. This concept holds up much better in theory than in practice. Language barriers, shipping costs, and import/export red tape (such as agreements controlling which countries a retailer can even sell a product line to) have all made the reality less than ideal for e-merchants.

Audiophiles aren't taking to the streets just yet, but John Atkinson is more than a little riled about the proposed watermarking of SACD and DVD-Audio recordings. In this month's "As We See It," "<A HREF="http://www.stereophile.com//asweseeit/257/">Watermarking: the Devil's Work!</A>," JA exhorts the audiophile masses to rise up in protest.

Chicago's Maxwell Street district is considered by many to be the birthplace of Chicago blues. But the old neighborhood is in danger of permanently losing some of its historic buildings, thanks to expansion plans by the <A HREF="http://www.uic.edu/">University of Illinois at Chicago</A>. The potential loss of the neighborhood has sparked protests by a coalition of blues musicians, including a hunger strike by 69-year-old <A HREF="http://www.acousticsounds.com/">APO Records</A> artist Jimmie Lee Robinson.