Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the <A HREF="http://www.stereophile.com//digitalsourcereviews/339/">Monarchy Audio Digital Interface Processor 24/96</A> "a must-have if you want to get the most from your upsampling MSB Link DAC III."

Is the consumer electronics business swimming, sinking, or simply treading water? It all depends on who's talking. Retailers don't appear to be suffering, despite widespread staffing cutbacks by large companies, but the gains are coming more slowly than they did last year.

On Tuesday, April 17, 2001, New York said farewell to John Lewis in a memorial ceremony at the Cathedral of St. John the Divine. Over 5000 New Yorkers from all walks of life attended, but the most visibly represented community was the musicians.

Having previous experience working for the CIA or the KGB may be a bonus on the resume of any aspiring audio industry applicant, it seems. In an effort to stymie the illegal copying and distribution of digital song files, record companies and hardware manufacturers have turned to increasingly complicated tracking technologies such as MPEG-4 and watermarking. The most recent addition to the anti-pirate bag of tricks: "fingerprinting."

Those who have read this magazine regularly over the past five years know that Canadian designer Vince Bruzzese has been marketing his small, two-way loudspeakers under the Totem Acoustic brand name. Every review of one of these designs has raved about their strong bass response and three-dimensional imaging, but ends with a "but": "the sound is totally awesome, the imaging is holographic, and my wife thinks it looks terrific in the living room, but..."

Those who have read this magazine regularly over the past five years know that Canadian designer Vince Bruzzese has been marketing his small, two-way loudspeakers under the Totem Acoustic brand name. Every review of one of these designs has raved about their strong bass response and three-dimensional imaging, but ends with a "but": "the sound is totally awesome, the imaging is holographic, and my wife thinks it looks terrific in the living room, but..."

Those who have read this magazine regularly over the past five years know that Canadian designer Vince Bruzzese has been marketing his small, two-way loudspeakers under the Totem Acoustic brand name. Every review of one of these designs has raved about their strong bass response and three-dimensional imaging, but ends with a "but": "the sound is totally awesome, the imaging is holographic, and my wife thinks it looks terrific in the living room, but..."

Those who have read this magazine regularly over the past five years know that Canadian designer Vince Bruzzese has been marketing his small, two-way loudspeakers under the Totem Acoustic brand name. Every review of one of these designs has raved about their strong bass response and three-dimensional imaging, but ends with a "but": "the sound is totally awesome, the imaging is holographic, and my wife thinks it looks terrific in the living room, but..."

Those who have read this magazine regularly over the past five years know that Canadian designer Vince Bruzzese has been marketing his small, two-way loudspeakers under the Totem Acoustic brand name. Every review of one of these designs has raved about their strong bass response and three-dimensional imaging, but ends with a "but": "the sound is totally awesome, the imaging is holographic, and my wife thinks it looks terrific in the living room, but..."

Those who have read this magazine regularly over the past five years know that Canadian designer Vince Bruzzese has been marketing his small, two-way loudspeakers under the Totem Acoustic brand name. Every review of one of these designs has raved about their strong bass response and three-dimensional imaging, but ends with a "but": "the sound is totally awesome, the imaging is holographic, and my wife thinks it looks terrific in the living room, but..."