My As We See It column in the November 2021 issue of Stereophile was a sincere expression of regret over my inability to connect with current rock music. It ended with a request for recommendations. I got 'em. What's more, most (but not quite all) of those who responded found themselves inthe same situation: They too found most current rock'n'roll difficult to relate to.

You may be moving to Montana. Acoustic Signature is not an overnight sensation, nor are its turntables driven by dental floss. If you're not a Frank Zappa fan, you probably have no idea what any of that means, so please Google it. I'll wait till you get back.

Sofia Gubaidulina: Dialog: Ich und Du; The Wrath of God; The Light of the End
Vadim Repin, violin; Gewandhausorchester Leipzig, Andris Nelsons, cond.
Deutsche Grammophon 4861457 (auditioned as 24/96 WAV). 2021. Everett Porter, Bernhard Güttler, prods.; Porter, Sebastian Nattkemper, Benedikt Schröder, engs.
Performance *****
Sonics *****

At 90 years of age, Sofia Gubaidulina has honed her musical language amidst conflict. Since 2003, the profoundly religious, visionary, and visceral Russian composer has written three huge, prescient works that depict in musical terms a standoff between God and humankind. All receive their world premiere "live" recordings in this sensational-sounding, system-demanding outpouring from Andris Nelsons and the venerable orchestra that Felix Mendelssohn once led, the Gewandhausorchester Leipzig.

Rabbits figure frequently in chats with Tom Fine—not the little creatures per se but the holes they burrow into. Because when you question Fine about matters present and past, his encyclopedic memory and fascination with all things great and small take you down what he calls "rabbit holes."

Brahms: Symphony No.4, Florence Price: Symphonies Nos.1 & 3, Schumann: Arabeske, Kreisleriana, Fantasie and Shostakovich: 24 Preludes and Fugues Op.87.