Back in the bad old pioneer days of high fidelity, the 1960s and early 1970s, amplifier manufacturers embarked on a specifications war, claiming ever lower percentages of total harmonic distortion. But, as J. Gordon Holt presciently pointed out in the 1960s, without reference to the spectrum of the distortion harmonics, the actual percentage was not in itself a reliable indicator of an amplifier's sound quality. And as those early low-THD models had distortion spectra that were heavily biased toward the sonically objectionable fifth, seventh, and ninth harmonics, and suffered from other related ills, they tended to sound quite nasty.

Hollywood Records, part of Walt Disney Co., announced that it will offer a new CD format it calls CDVU+ (CD view plus). In addition to traditional CD content, CDVU+ will offer lyrics, digital magazine articles, band photos, guitar lessons, and other features that will "build loyalty." Hollywood Records senior vice-president Ken Bunt said the company chose an enhanced CD format rather than a file-based format because "we really believe if you're going to give consumers what they want, we should do it in a way they're used to."

That harmonious accord between SoundExchange and the Digital Media Association (DiMA) on webcasting that we <A HREF="http://stereophile.com/news/071607internet/">reported</A&gt; last week? Apparently not so harmonious&mdash;and possibly not even an accord.

There's something a bit oddball about the notion of a $16,500 integrated amplifier&mdash;until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).

There's something a bit oddball about the notion of a $16,500 integrated amplifier&mdash;until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).

There's something a bit oddball about the notion of a $16,500 integrated amplifier&mdash;until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).

There's something a bit oddball about the notion of a $16,500 integrated amplifier&mdash;until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).

There's something a bit oddball about the notion of a $16,500 integrated amplifier&mdash;until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).