Attention Screen is the band that includes <I>Stereophile</I>'s own Bob Reina on piano, Chris Jones on bass, Don Fiorino on various string instruments, and Mark Flynn on drums. (Their recent CD, <I>Live at Merkin Hall</I>, recorded by John Atkinson, is available from <A HREF="http://ssl.blueearth.net/primedia/home.php"><I>Stereophile</I></A&gt;.) They gave a concert at FSI, and although the attendance could have been better&mdash;publicity for the music events at the show was rather sparse&mdash;it was clear that those in the audience were enraptured with Attention Screen's intense, almost entirely improvisational brand of jazz.

At the "Ask the Editors" session on Saturday afternoon, <I>Stereophile</I> editor John Atkinson asked each of us on the panel&mdash;John Marks, Wes Phillips, and myself&mdash;what systems featuring low-priced equipment particularly impressed us at the show. There were actually several such systems that I could have named&mdash;but the one that first came to mind was the system based on the Rogue Cronus tube-based integrated amp ($1750, 55Wpc, includes a phono stage and headphone amplifier, with PSB Alpha B1 speakers ($279/pair). A nice, well-balanced sound, very easy on the ears. Mind you, they had an Oracle turntable as the front end, which might be classified as cheating, but, hey, it's an audio show.

Both examples of the Verity Sarastro IIs ($40,000/pair) that I heard at FSI sounded <I>amazing</I>. I say this with some surprise, since I was never entirely comfortable with the original Sarastro. Go figure, new <I>and</I> improved.

Emanuel Lafleur had a pair of his $8000/pair (estimated final price) stand-mounted two-way X1 monitors set up <I>in</I> the press room. Great for reaching the press, not so great for good sound, since the press room was dominated by a huge roundtable right where the sweet spot would have been. Nevertheless, the X2s sounded impressive enough that both John Marks and I were captivated.

FSI has a very high percentage of good-sounding rooms, compared to most audio shows. True, the smaller hotel-roomed sized rooms above the concourse levels, all had a hooty 150Hz coloration, but that just meant that, when an exhibitor successfully dealt with it&mdash;as did Ken Rasmussen of Neeper&mdash;those rooms <I>really</I> stood out.